朋友媽媽：無(wú)法忍受的日子

★ 4.1 播放：12萬(wàn) 更新：2026-05-07

　　不忍母親為了替沉迷於賭博的父親還債務(wù)而四處奔波，準(zhǔn)人提出以經(jīng)營(yíng)寄宿家庭方式收取租金，介紹了準(zhǔn)備來(lái)東京工作的前輩阿和來(lái)到家裡幫忙。然而，阿和每天看著為了債務(wù)問題煩悶的友人媽媽，他的憐憫之心竟然漸漸轉(zhuǎn)變成了濃厚的愛意??

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劇情簡(jiǎn)介

　　不忍母親為了替沉迷於賭博的父親還債務(wù)而四處奔波，準(zhǔn)人提出以經(jīng)營(yíng)寄宿家庭方式收取租金，介紹了準(zhǔn)備來(lái)東京工作的前輩阿和來(lái)到家裡幫忙。然而，阿和每天看著為了債務(wù)問題煩悶的友人媽媽，他的憐憫之心竟然漸漸轉(zhuǎn)變成了濃厚的愛意??

導(dǎo)演精選

美滿姻緣

　　與丈夫（安東尼·拉帕格利亞飾）慶祝完結(jié)婚25周年后不久，丈夫出差在外，達(dá)西（瓊·艾倫）在車庫(kù)找電池，卻無(wú)意中發(fā)現(xiàn)丈夫就是新聞中說的“臭名昭著的連環(huán)殺手比蒂”?！　∮捌男≌f藍(lán)本是金2010年出版的短篇小說集《暗夜無(wú)星》（Full Dark, No Stars）中的一篇。金在接受采訪時(shí)說，小說的靈感來(lái)自于2005年被捕的美國(guó)“BTK連環(huán)殺手”丹尼斯·雷德（Dennis Rader），他就有一位結(jié)婚三十四年的妻子寶拉（Paula），對(duì)他的殺人行為毫不知情。金表示，小說探討的是，人與人之間永遠(yuǎn)不可能完全了解，即使是最愛的人也一樣。

羊背上的DJ

　　本片在2025年圣丹斯電影節(jié)一舉拿下世界劇情片競(jìng)賽單元評(píng)審團(tuán)特別獎(jiǎng)（創(chuàng)作視野）和觀眾獎(jiǎng)兩項(xiàng)大獎(jiǎng)。馬其頓偏遠(yuǎn)村莊的15歲的牧羊少年沉醉于音樂世界，但在傳統(tǒng)社會(huì)規(guī)則下，他必須面對(duì)來(lái)自周遭環(huán)境與父親的質(zhì)疑。某日放羊途中，他偶遇了一場(chǎng)大型的電子舞會(huì)，邂逅令他心動(dòng)的女孩……導(dǎo)演喬治·M·溫科夫斯基的長(zhǎng)片首作試圖探索集體期望與自我表達(dá)之間的微妙平衡。片中鮮活的色彩、詼諧的橋段、惹人憐愛的角色和韻律十足的音樂，為這個(gè)成長(zhǎng)故事注入勃勃生命力。影片溫柔且有力地回答了藝術(shù)如何成為精神避難所，又如何變?yōu)槌砷L(zhǎng)催化劑。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.