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劇情提要
影片劇情: 伊巴涅斯教授和女兒伊娃來(lái)到巴西,準(zhǔn)備乘飛機(jī)前往神秘危險(xiǎn)的恐龍谷,他們與化石獵人凱文、海因斯夫婦、攝影師及模特組成一支探險(xiǎn)隊(duì)。中途不幸發(fā)生墜機(jī),面對(duì)危機(jī)四伏的雨林、獵頭族阿夸拉人及殘暴的礦主,誰(shuí)能歷盡重重危機(jī),最終逃出生天?
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樂(lè)開懷
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張善南,李明源,范云飛,郭素潔,李炎峰,王天宇,顏世魁,區(qū)天瑞風(fēng)中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達(dá)洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆?tīng)柪?路易絲·皮特爾清算
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凱特·溫斯萊特,托妮·科萊特,海倫·米倫,安德麗婭·賴斯伯勒,蒂莫西·斯波,約翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德萊頓,費(fèi)塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇爾·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler男孩2026
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瑪麗安娜·芳塔娜,喬瓦尼·安扎爾多,Demetra Avincola,Dalila De Marco,洛倫索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese銀瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·維斯特伍德,James Cavlo午夜的太陽(yáng)
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錫德·盧塞羅,碧優(yōu)緹·岡薩雷斯,詹姆斯·布蘭科幕后花絮
午夜場(chǎng)
《午夜場(chǎng)》講述了戲院經(jīng)理林梅(范夢(mèng)飾演)與戲院大小姐子君(馮言彥飾演)是無(wú)話不談的閨蜜,在子君即將結(jié)婚前,無(wú)意間發(fā)現(xiàn)林梅好似和自己的未婚夫家?。ㄠ囅扔铒椦荩┯兄撤N不為人知的關(guān)系。某一天,在他們工作的三十七號(hào)古宅內(nèi),一場(chǎng)備受關(guān)注的木偶劇目正在上演,而神秘的木偶附身也即將開始。隨著現(xiàn)實(shí)詭異畫面與林梅的夢(mèng)境交織,令人意想不到的真相浮出水面!
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.