善良的嫂子4

9.0 播放:16萬 更新:2026-05-09
主演: A kind sister-in-law 4 

2019年度最新韓國劇情電影,英文名:A kind sister-in-law 4   

即刻觀影

劇情賞析

2019年度最新韓國劇情電影,英文名:A kind sister-in-law 4   

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犯罪讀者俱樂部

Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi

一群年輕人在一個服裝笑話中串謀,以致命的事故和沉默的協(xié)議告終,一群年輕人將受到一位匿名作家的威脅,他想揭露他的黑暗秘密。他們的跟蹤者威脅要在社交媒體上發(fā)布一本以他們?yōu)樵偷难瓤植佬≌f。每一章都會有一個人死去。由于彼此不信任,這群人將在大學(xué)校園中央開始一場生存之戰(zhàn)。他們中的任何一個人都有可能成為下一個受害者,或者兇手。

阿爾菲1966

邁克爾·凱恩,謝利·溫特斯,米利塞特·馬丁,茱莉亞·福斯特,珍·愛舍,雪莉·安妮·菲爾德,維維恩·莫堅特,伊蓮諾·布羅,丹霍姆·艾略特,阿爾菲·巴斯,格雷厄姆·斯塔克,穆雷·梅爾文,西德尼·塔夫勒

阿爾菲(邁克爾?凱恩 Michael Caine 飾)生活在繁華的大都市倫敦,平日里最大的愛好便是出沒于燈紅酒綠的聲色犬馬之場所。阿爾菲自認(rèn)為是當(dāng)代唐璜,流連于不同女人的溫香軟玉的懷抱之中,私生活十分混亂。                                                                        無論是未經(jīng)人事的清純少女還是已有家室的成熟人妻,阿爾菲都會散發(fā)他強烈的男性魅力,將對方征服。就連在染病住院期間,阿爾菲都沒有放過和性感美艷的小護士共赴云雨的機會。某一日,阿爾菲邂逅了美麗的寡婦盧比(謝利?溫特斯 Shelley Winters 飾),讓前者沒有想到的是,自己的撩妹之術(shù)在盧比那里竟然全無作用。不僅如此,曾經(jīng)對他趨之若鶩的女人們也都漸漸地離開了他。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

兇兆1976

格利高里·派克,麗·萊米克,大衛(wèi)·沃納,比莉·懷特勞,哈維·史蒂芬斯,帕特里克·特羅,馬丁·本森,羅伯特·里耶蒂,湯米·杜根,約翰·斯特賴德,安東尼·尼科爾斯,霍利·帕蘭切,羅伊·博伊德,弗蕾達·道伊,希拉·雷諾

 故事發(fā)生在1966年6月6日的上午6時,在這樣一個不吉利的時刻,美國大使羅伯特(格利高里·派克 Gregory Peck 飾)領(lǐng)養(yǎng)了一個男孩并取名戴米(哈維·史蒂芬斯 Harvey Stephens 飾)。隨著時間的推移,戴米漸漸長大,一些奇怪事件的接連發(fā)生預(yù)示著厄運敲響了羅伯特的家門。戴米的保姆莫名自殺后,一個神秘的女人貝洛克(比莉·懷特勞 Billie Whitelaw 飾)毛遂自薦留在了戴米的身邊。之后,神父博南(帕特里克·斯偌頓 Patrick Troughton 飾)找到了羅伯特,他告訴羅伯特,戴米是撒旦的孩子,戴米會不擇手段完成統(tǒng)治世界的野心。對于神父的話,羅伯特半信半疑,直到博南神父的死訊傳來,羅伯特才意識到,事態(tài)的發(fā)展是多么的糟糕。

綠液驚魂

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