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巴黎廚房

迪米特里·納佐羅夫,葉蓮娜·波德卡明斯卡婭,德米特里·納吉耶夫,馬克·博加泰爾夫,文森特·佩雷斯

  時(shí)尚的餐廳大都市“莫奈”紅紅火火。正是在這里,維克和馬克西姆要慶祝期待已久的婚禮。但計(jì)劃有變,當(dāng)餐廳是規(guī)定會談俄羅斯和法國的總統(tǒng)!餐廳隊(duì)?wèi)K敗,被迫進(jìn)入“流亡” - 在巴黎舉行。有廚師用馬克斯面臨危險(xiǎn)的競爭對手:廚師 - 與近親,和馬克西姆 - 與一個(gè)英俊的尼古拉斯,誰轉(zhuǎn)過頭比維克起泡酒香檳更好!而這還不是他的“全城熱戀”中的所有挑戰(zhàn),你應(yīng)該試著挽回面子,喂總統(tǒng)和克服障礙萬元點(diǎn)菜法國文化……

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

戰(zhàn)爭藝術(shù)家

埃米爾·赫斯基,因巴爾·拉維,伊安·蒂阿爾,亞當(dāng)·切赫曼,Edward Foy,Chris Cope,喬?!げ既R克,喬什·祖克曼,尤金·里皮斯基,達(dá)里亞斯·布萊克,Pam Kearns,Tori Griffith,Brad Abramenko,邁克爾·本耶爾,Boris Bilic,馬特·布朗,Reid Anthony Cronin,阿亞斯·達(dá)爾曼,Rebecca Dykstra,Craig Erickson

  根據(jù)約瑟夫和麗貝卡·鮑在普拉佐集中營的婚禮被斯皮爾伯格的辛德勒名單紀(jì)念的真實(shí)故事改編。Bau,《戰(zhàn)爭中的藝術(shù)家》是一部戰(zhàn)爭劇/愛情故事/間諜故事,在這個(gè)幸存者正在死亡、大屠殺正在從記憶中消失的時(shí)代需要講述。約瑟夫在營地里運(yùn)用他的藝術(shù)技巧,活了下來,幫助數(shù)百人逃走。奇跡般地,他在絕望中找到了愛。一種將持續(xù)一生的愛。幾年后,當(dāng)他被傳喚為殘酷的納粹軍官受審的關(guān)鍵證人時(shí),他被重新帶回了大屠殺的生動(dòng)記憶中。納粹軍官折磨了他并殺害了他的父親?,F(xiàn)在,他呼吁這種愛和精神的韌性來面對他過去的終極惡魔。

騎乘挑戰(zhàn)

田中秀幸,松井菜櫻子,小山茉美,富山敬,林原惠美,本多知惠子,筈見純,屋良有作,飛田展男,小林通孝,鹽屋浩三,田中和實(shí),小杉十郎太

 OVA化もされた園田健一原作のコミック「ガンスミスキャツ」の元となったOVA?!弗愆`ドバスター」の名を持つ凄腕の運(yùn)び屋であるビーン?バンデット。ある日、ビーンはグリムウッド家の令嬢であるチェルシーを誘拐した容疑をかけられ、警察から追われる身になってしまった! 果たして、彼の運(yùn)命は…?