獵艷狂魔
最近，城里發(fā)生了數(shù)十起案情十分惡劣的連環(huán)強奸案，一個名為洛瑞斯（羅伯托·貝尼尼 Roberto Benigni 飾）的怪異男子成為了警方重點懷疑的對象，因為洛瑞斯不僅是一個公認的好色之徒，更是被抓到了許多雖不能定罪但依舊對他十分不利的把柄。 身為城中警長，派瑞德（米歇爾·布朗 Michel Blanc 飾）對只會傷害柔弱女性的罪犯深惡痛絕，他發(fā)誓無論用怎樣的手段，都要找到證據(jù)將罪犯捉拿歸案，當然，這其中的罪犯，指的就是洛瑞斯。為了收集證據(jù)，派瑞德甚至派出了性感美麗的女警杰西卡（尼可萊塔·布拉斯基 Nicoletta Braschi 飾）潛伏在洛瑞斯的身邊，甚至不惜犧牲她的色相企圖“釣魚執(zhí)法”?？墒?，令派瑞德沒有想到的是，這一次洛瑞斯竟然節(jié)操十足，不為所動。
在線看
同款熱播
龍口走蛟
備案單位愛奇藝影業(yè)(重慶)有限公司 梗概：龍口鎮(zhèn)近來怪事不斷，外鄉(xiāng)人青云子和張不平游歷至此，意外卷入神秘事件當中，他們最終揭開真相，守護了龍口鎮(zhèn)的安寧。
鬼屋行竊
露娜瑪雅,Maxime Bouttier,Agus Kuncoro一名退伍軍人得到一份搶劫房子的工作，但結(jié)果發(fā)現(xiàn)這所房子是 Nyai 的房子，Nyai 是一位小妾，又名 Gundik。
復仇天使
弗朗西斯卡·伊斯特伍德,小克利夫頓·克林斯,邁克·韋爾奇,莉亞·麥肯德里克,彼得·瓦克,安德魯·卡德威爾,大衛(wèi)·蘇利文,亞當·拉扎爾-懷特,戴維·哈,邁克·C·曼寧,馬龍·楊故事講述藝術系女生諾麗遭到同學性侵后，決定正面PK性侵者、展開還擊計劃。影片今秋北美上映。
榮耀嘻哈
莎黑茲·薩姆,萬·哈納菲蘇,Aida Amron,韓家濠A deaf single dad's life with his daughter changes when she becomes a hip-hop star. Meanwhile, another father faces ongoing challenges communicating with his deaf son.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
殯葬師
馬索·曼恩,愛德華·福隆,安吉利·贊巴拉娜,Luis Da Silva Jr,安東尼·邁克爾·弗雷德里克他（Method Man 飾）是一個沉默的男子，永遠禮帽風衣，沉默地穿梭在這座道德淪喪、破敗絕望的城市的大街小巷。死亡每天發(fā)生，司空見慣，不知天高地厚的年輕人們呼嘯而過，揮霍生命。白天他是市殯儀館的殯儀師，以嫻熟專業(yè)且莊重的手法清理殘破不堪的尸體，帶死者走過最后一程；夜晚則端坐那間被暴怒吵鬧的鄰居所包圍的小屋里，細心制作動物標本，為他們的主人找回最后的安慰?！ ∧程欤痪吲允w在他死水般的內(nèi)心世界引起漣漪。尸體上紋有波提切利的名作《維納斯誕生》，似曾相識的圖案勾起了他對往事的回憶。城市的自毀仍在繼續(xù)，他也無法永保平靜……