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獵殺杰西卡·布洛克
Danica De La Rey Jones,塔梅爾·伯賈克,安東尼·奧塞耶姆,Vaughn LucasA retired special forces agent must battle a group of vengeful psychopaths and the African wilderness to get back to her daughter.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
解放3：主攻方向
米哈伊爾·諾日金,尼古拉·奧拉寧,米哈伊爾·烏里揚(yáng)諾夫,拉里莎·戈盧布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特爾熱利奇克,Yevgeni Burenkov,阿納托利·羅馬申,彼得·謝爾巴科夫,伊萬(wàn)·彼列維捷夫,弗拉德連·達(dá)維多夫,謝爾蓋·哈欽科,德米特里·弗蘭科,T?nu Aav,Fred Alexander,Ingrid Andrina,維克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,為紀(jì)念蘇聯(lián)衛(wèi)國(guó)戰(zhàn)爭(zhēng)30周年，前蘇聯(lián)莫斯科電影制片廠于1970—1972年，拍攝了一部堪稱前蘇聯(lián)電影史上耗資最巨、規(guī)模最大、場(chǎng)面最為壯觀的戰(zhàn)爭(zhēng)題材影片———《解放》。影片從1943年蘇聯(lián)紅軍反攻（庫(kù)爾斯克戰(zhàn)役）開始，到強(qiáng)渡涅伯河，解放基輔，最后攻克柏林。分為五集，片長(zhǎng)將近8個(gè)小時(shí)。導(dǎo)演尤里·奧澤洛夫?yàn)閺?qiáng)調(diào)“紀(jì)實(shí)性”、“史詩(shī)性”，在影片中穿插了大量的真實(shí)歷史文獻(xiàn)鏡頭。影片還出現(xiàn)了不少歷史人物，如斯大林、朱可夫、羅斯福、丘吉爾、希特勒、墨索里尼等。此外，影片還蘊(yùn)涵豐富感人的故事情節(jié)，從蘇、德兩軍統(tǒng)帥到普通士兵，從蘇軍反攻到德軍覆沒(méi)，成功地表現(xiàn)了一種攻無(wú)不克、戰(zhàn)無(wú)不勝的革命樂(lè)觀主義精神。
哈留恩佩與邪惡祭司
Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee在芬蘭警局供職多年的Timo，每天都周旋于形形色色的兇案罪犯之間，長(zhǎng)年疲于工作，使得他疏于對(duì)家人的照顧。女兒在一次意外的派對(duì)中遭人強(qiáng)奸，成為他心中揮之不去的陰影。此時(shí)，一名神秘案犯走進(jìn)了他的生活，提莫如何在重重陰霾下抓出真兇……
詭風(fēng)怪談
茱莉亞·古丹妮·泰勒斯,阿什利·祖克曼,凱特琳·杰拉德,迪倫·麥蒂西部荒野，住著麥克林夫婦——伊薩克（阿什利·祖克曼 Ashley Zukerman 飾）和莉茲（凱特琳·杰拉德 Caitlin Gerard 飾）。這里條件艱苦，環(huán)境惡劣，人煙稀少，野獸橫行。莫大的孤寂令莉茲時(shí)常警惕地環(huán)視四周，防備一切可能的危險(xiǎn)。某天，哈普爾夫婦——吉迪恩（迪倫·麥蒂 Dylan McTee 飾）和艾瑪（茱莉亞·古丹妮·泰勒斯 Julia Goldani Telles 飾）搬到了麥克林家附近，成為他們的鄰居。兩家人很快就成了好朋友，特別是莉茲有了艾瑪這個(gè)好姐妹，似乎心理也正常了許多?！ 『镁安婚L(zhǎng)，某晚艾瑪?shù)那闆r變得很糟糕，她擔(dān)心神秘的存在將危及她的孩子?；囊按箫L(fēng)卷起，烏云密布……
兇兆前傳
尼爾·泰格·弗莉,托菲克·巴霍姆,索尼婭·布拉加,拉爾夫·伊內(nèi)森,比爾·奈伊,米婭·麥戈文·扎伊尼,安東·亞歷山大,安德烈·阿坎杰利,瑪麗亞·卡巴雷諾,阿萊西亞·博納奇,伊什塔爾·柯里-威爾遜,彼得·阿佩塞拉,西爾維婭·帕納喬內(nèi),馬里奧·歐普特,阿德里亞諾·阿拉貢,多納泰拉·巴托麗一名年輕美國(guó)女子被派往羅馬、展開服侍教會(huì)的人生，卻接觸到了令她質(zhì)疑信仰的黑暗力量，并揭露惡魔轉(zhuǎn)世的可怕陰謀。