女教師日記3隱藏的性
私立風間高中2年B班的級任老師永瀨聰子（大竹一重 飾）雖然美麗，卻內(nèi)向保守。她鮮少和同事們交流，在學生面前似乎也逆來順受，完全沒有個性。偏偏班內(nèi)的學生日向政明（齊藤陽一郎 飾）是個無心學業(yè)、喜好尋釁滋事的不良少年。他尤其喜歡欺負聰子老師，經(jīng)常用言語挑逗羞辱。聰子雖然不勝 其擾，卻也漸漸喜歡上這個與眾不同的男孩。夜晚，聰子和日向化名麗莎和洛克，在網(wǎng)上的虛擬聊天室互訴衷情。只是日向完全不知道麗莎的身份，甚至還把她幻想成同班那位品學兼優(yōu)的美麗女孩遠子（中野若葉 飾）。日向渴望與麗莎見上一面，而聰子卻遲遲未能邁出那一步 本片為女教師日記系列的第三部。
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惡戰(zhàn)2025
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster