即刻觀影
劇情賞析
編輯推薦
外星+人
柳俊烈,金宇彬,金泰梨,蘇志燮,廉晶雅,趙祐鎮(zhèn),金義城,李荷妮,申正根,李時勛該片講述了道士們爭奪傳聞中神劍的高麗末期和外星人出沒的2022年之間的時光之門被打開后，引發(fā)的異想天開的故事。
午夜之子
雅各布（Zak Kilberg 飾）是一個奇怪的小伙子，他似乎患有一種怪病，這種病令他無法生活在陽光之下，長久以來，雅各布一直都隱藏在黑暗之中，直到有一天他邂逅了一位名為瑪麗（Maya Parish 飾）的調(diào)酒師，相互吸引的兩人很快就墜入了愛河之中。 漸漸的，瑪麗察覺到了雅各布異于常人的地方，他的行為舉止不僅變得越來越古怪，雅各布還必須時時克制自己越來越?jīng)坝康氖妊榱双@得血液，雅各布殺了人，現(xiàn)在，他需要擔心受怕的事情又多了一件，如何躲避警察的調(diào)查成為了重中之重?？杉幢闳绱?，雅各布還是深深的愛著瑪麗，為了能夠?qū)旣惲粼谏磉叄鸥鞑疾坏貌蛔龀龈映龈竦呐e動。
復仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內(nèi)特·瓦雷女兒為父親復仇的故事。講述女主回到家鄉(xiāng)探望她的父親，卻發(fā)現(xiàn)他在小屋里遭受了酷刑和謀殺。在尋找答案的過程中，她遇到了陰險的治安官和其兄弟，發(fā)現(xiàn)了比她想象中更令人不安的家庭遺產(chǎn)。
杰夫·羅斯：帶蕉上路
杰夫·魯斯在9月29日結(jié)束為期八周的有限活動后，《香蕉騎行》據(jù)說向羅斯展示了不同的一面，這是一場結(jié)合了喜劇、自傳體故事和音樂元素的更個人化、更發(fā)自內(nèi)心的表演。這部劇是關(guān)于慶祝生活、紀念損失和為生活中的意外事件做好準備。
浮云世事
卡蒂·奧廷寧,卡里·瓦納寧,葉琳娜·薩羅,薩卡里·庫斯曼嫩,馬庫·佩爾托拉愛娜（卡蒂·奧廷寧 Kati Outinen 飾）和凱瑞（Kari V??n?nen 飾）是一對感情十分要好的夫妻，他們一個是餐廳經(jīng)理，一個是電車司機，盡管經(jīng)濟并不寬裕，甚至有些“緊巴巴”，但很顯然，照此發(fā)展，兩人的未來充滿了光明和希望?！ 〗?jīng)濟危機的到來讓愛娜和凱瑞的家庭也陷入了危機，愛娜所在的餐廳破產(chǎn)倒閉，凱瑞在公司的“裁員抓鬮”中不幸中彩，夫妻兩人同時失去了工作，家里的貸款還未還完，生活露出了真實而殘酷的面孔，愛娜和凱瑞不知該如何是好。雖然丟掉了工作，但夫妻兩并沒有丟掉斗志和尊嚴，為了生存，他們做出了種種努力，不幸的是，這些努力均以失敗告終。在此走投無路之際，愛娜曾經(jīng)的老板出現(xiàn)在了愛娜的面前，他帶來了一個機會，它有可能壞的，但也有可能是好的。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.