赤裸的午后

? 1.4 播放：20萬 2026-05-15
主演： Alan/Colberg/

　　美麗的十九歲女孩Tomasina(阿比吉爾·克萊頓飾)在比佛利山莊水療中心從事按摩工作，她遇到了一位富有的電影制片人Harry(約翰·萊斯利飾)，Harry說服她去拍電影并承諾她將在電影界擁有輝煌的職業(yè)生涯，但去了之后才知道每個人都想讓她出演成人電影………開始了她眼花繚亂的演員生艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。

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? 播放 赤裸的午后

劇情提要

　　美麗的十九歲女孩Tomasina(阿比吉爾·克萊頓飾)在比佛利山莊水療中心從事按摩工作，她遇到了一位富有的電影制片人Harry(約翰·萊斯利飾)，Harry說服她去拍電影并承諾她將在電影界擁有輝煌的職業(yè)生涯，但去了之后才知道每個人都想讓她出演成人電影………開始了她眼花繚亂的演員生艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。

幕后花絮

RRR

 1920年，英國總督斯科特和他的妻子凱瑟琳訪問阿迪拉巴德的一個部落，并強行帶走了部落里歌唱天賦異稟的小女孩瑪莉，部落的保護者比姆（小老虎 飾演）為了救回瑪莉，偽裝成穆斯林。斯科特得知消息后，總督府的底層衛(wèi)兵拉朱（拉姆·查蘭·特哈 飾演）為了升職也同時為了完成他父親遺愿和他對部落承諾，主動請愿自己可以將比姆逮捕。比姆和拉朱因共同拯救了一個差點葬身火海的小男孩而巧遇，他們并不認識對方，然而兩人也隱藏了自己的真實身份，相互聯(lián)系，成為摯友。拉朱在一次調(diào)查中發(fā)現(xiàn)自己的摯友就是總督要逮捕的比姆，他一邊是承載了父親的遺愿和整個部落的承諾，一邊是自己的摯友，他該如何抉擇…..

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.