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星河戰(zhàn)隊(duì)2:聯(lián)邦英雄
比利·布朗,理查德·布基,凱莉·卡爾森,何家蓓,埃德·勞特爾,J·P·馬諾克斯,勞倫斯·莫努森,柯琳·波奇,德魯·鮑威爾,愛德·奎恩,杰森-沙恩·斯科特,布蘭達(dá)·斯特朗,布萊恩·泰,斯蒂芬·斯坦頓,喬恩·戴維森,Jesse Grce,Oliver Keller,喬納森·帕索,Ty WilliamsFPS
道本成美,泉知束,米澤成美,南久松真奈,巖永ひひお唱歌的六個(gè)女人
竹野內(nèi)豐,山田孝之,水川麻美,アオイヤマダ,服部樹咲,萩原實(shí)里,桃果,武田玲奈,津田寬治,白川和子,竹中直人羅伯特玩偶的復(fù)仇
Lee Bane,Harriet Rees,Judith Haley正義救贖
高駿,張敏亞當(dāng)·桑德勒:愛你
丹·布拉,Jonathan Loughran,亞當(dāng)·桑德勒,杰姬·桑德勒,羅伯·施奈德同類推薦
尼諾
西奧多·佩爾蘭,威廉·勒布吉?dú)W,莎樂美·德瓦斯,讓娜·巴利巴爾,卡米莉·拉瑟福德,埃斯特爾·梅耶爾,維克圖瓦爾·杜布瓦,馬修·阿馬立克,Pascale Oudot,Ma?l Besnard,Elodie Roy,Amaury Arboun,利森·丹尼爾,Charlotte Lainé,Balthazar Billaud,艾爾莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis距離人生重大考驗(yàn)只剩三天,尼諾卻要先完成醫(yī)生布置的兩項(xiàng)關(guān)乎存亡的使命。這場穿越巴黎的救贖之旅,迫使他重新系緊與世界的羈絆,更要直面內(nèi)心深淵。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
電梯游戲
Megan Best,亞當(dāng)·哈蒂格,Gino Anania,Alec Carlos,納扎利·德姆克維奇,Verity Marks,Liam Stewart-Kanigan,Madison MacIsaac,Samantha Halas故事描述萊恩(吉諾亞拿尼亞 飾)的妹妹在幾個(gè)月前失蹤了,他認(rèn)為她失蹤的原因是玩了網(wǎng)路上流傳的“電梯游戲”,傳說只要照著特定步驟操作電梯,就可以前往另一個(gè)次元。為了找到妹妹,萊恩說服他的朋友們一同進(jìn)行電梯游戲,此舉卻為他們招來無法挽回的后果……
當(dāng)家好女婿
Adrian Vazquez,Jero Medina,Verónica Bravo這部電影告訴了何塞·桑切斯的故事,他留著令人難忘的小胡子,有著銀色的舌頭,雄心勃勃。在經(jīng)歷了一段艱難的商業(yè)生涯后,Sánchez變成了令人恐懼的政治活動(dòng)家“El Serpiente”。然而,為了保持領(lǐng)先地位,他需要完成最后一筆交易,這是最危險(xiǎn)的一筆交易——這一次,他的口才可能還不夠。
〇〇式
九十九黃助,吉田ヤギ講述某處某個(gè)“式”的故事——它究竟是祝福,還是一場離別的儀式?答案,藏在某個(gè)尚未抵達(dá)的地方。