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我的生命之光
卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯影片故事講述一名父親傾盡所有去保護自己的女兒。
死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana CamarenaThe film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
吞天巨鯊
陳外,程爽,成止微,秦宇太平洋某座生物研究所內(nèi)，最新研究的魚類加速繁殖計劃得到了突破，并在繁殖力極低的鯊魚身上試驗成功。實驗室的科學(xué)家們大喜過望，稱這項研究將徹底解決全球食物問題。只有總負(fù)責(zé)人博士袁聰認(rèn)為此舉會破壞現(xiàn)有的生態(tài)環(huán)境，力排眾議下令銷毀實驗鯊魚。然而實驗組的副手莫雷將這些鯊魚看成畢生心血，偷走幾條幼鯊準(zhǔn)備轉(zhuǎn)移，誰知在路上被咬傷出了事故，幼鯊逃進下水道進入了大海。沒過多久，若干處海邊出現(xiàn)鯊魚群體襲擊事件，原來這些鯊魚的背后有一只超級巨大的母鯊......
浴血黑幫電影版
基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆1940年的伯明翰，在第二次世界大戰(zhàn)的混亂中，湯米·謝爾比（基里安·墨菲 飾）從自我放逐中回歸，直面著迄今為止最具破壞性的清算。家族和國家的未來岌岌可危，湯米必須面對自己心中的惡魔，并選擇是直面它還是將其毀滅。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
窺鏡
尼古拉斯·凱奇,羅賓·湯尼,馬克·布魯卡斯,厄尼·里夫利,雅克·格雷尼古拉斯·凱奇出演獨立制作驚悚片《窺鏡》(Looking Glass，暫譯)。導(dǎo)演為曾拍攝多部MV及廣告的多里·奧斯科維茲，編劇杰里·萊普、馬修·懷爾德。一對夫婦在經(jīng)歷生活傷痛后買下了荒郊僻壤一處汽車旅館，他們此舉是為了探秘旅館一個房間內(nèi)發(fā)生的一系列無法解釋的怪事。影片今秋開機。