即刻觀影
劇情賞析
編輯推薦
燃燒的夜晚
布萊恩娜·伊維根,查理·塔漢,加瑞特·迪拉胡特獅門出品 必屬精品 暴風(fēng)雨來襲 一女孩和她有孤獨(dú)癥的弟弟被困在一個有老虎的房子里
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
恐懼之靈
Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger一名男子在郊區(qū)一間空蕩蕩的房子里醒來，沒有記憶，手臂上沾著血跡。當(dāng)他瘋狂地洗掉血跡時，他發(fā)現(xiàn)那不是他的。他在房子周圍發(fā)現(xiàn)了一些便利貼，上面寫著:“不要呆在這個房間里?！薄皠e出去?！薄皠e下樓?！彼械嚼Щ螅噲D追蹤這些神秘的信息，最終發(fā)現(xiàn)了兩件事。他與母親和女兒的記憶有某種聯(lián)系，還有住在這所郊區(qū)房子里的惡魔。當(dāng)他越來越接近解開他為什么在那里的謎團(tuán)時，惡魔變得越來越強(qiáng)大，考驗著他的生存意志。
最后一根稻草
杰瑞米·西斯托,杰西卡·貝爾金,格倫·古爾德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦爾斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen在父親的小餐館發(fā)生了可怕的案件后，Nancy決定獨(dú)自值完當(dāng)晚的最后一班來收拾殘局。但她不知道，自己并非孤身一人，她必須在漫漫長夜中為自己的生命而戰(zhàn)。
荒村怪談
李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪規(guī)則怪談！鬼村見鬼！千年荒村自古有＂人鬼相處規(guī)則＂。青年男女結(jié)伴夜闖陰山鬼林，破壞規(guī)則，導(dǎo)致鬼靈還魂，鬼嘯瘆人，鬼影駭人，鬼殺奪命！一個美艷女子突然被鬼現(xiàn)鎖喉，另一個精壯青年又被鬼爪掏心……陰風(fēng)陣陣，尖叫四起，一場排隊送人頭的祭獻(xiàn)大戲陰森上演，生者想死無門，卻又無處可逃！究竟是千年的冤魂沖破魔咒到人間索血啜飲？還是古老地獄中逃出的怪獸掠殺食人？土匪也驚恐逃亡，獵手也慌不擇路！夜半的茅草屋，怪叫撕心裂肺，鬼臉貼窗凝望，野鬼BOSS終將現(xiàn)行，終極＂規(guī)則絕殺＂如期而至！眾人早已靈魂出竅，一具具行尸走肉又將如何戰(zhàn)栗？
玉蝎子的魔咒
John Tormey,伍迪·艾倫,海倫·亨特,查理茲·塞隆,丹·艾克羅伊德,伊麗莎白·伯克利CW?布里格斯（伍迪?艾倫飾）是20世紀(jì)40年代美國紐約著名的北海岸保險公司的最出色的保險調(diào)查員，他的拿手絕活是能窺探犯人心中所想，從而輕而易舉地破案。自從老板請來了“效率專家”貝蒂，這一切就改變了。貝蒂新官上任，帶來新的策劃新的管理方式，布里格斯成為被開刀的第一人。二人之間火藥味甚濃。在同事喬治的生日會上，他倆被魔術(shù)師叫上臺，在玉蝎子的魔力下，二人被催眠，醒來后對剛才發(fā)生的事一無所知?！ ≈蟪莾?nèi)接二連三發(fā)生珠寶盜竊事件，而被竊珠寶的報警裝置是布里格斯親手設(shè)置的，沒有他是不可能破開的。在調(diào)查案件中，肯辛頓家的尤物女兒（查理?塞隆飾）主動約他約會，他懷疑她的動機(jī)。而貝蒂請來偵探協(xié)助他調(diào)查讓他更為不快。 貝蒂是上司的情人，因為老板遲遲不肯跟妻子離婚而倍感傷心。神使鬼差走到了布里格斯家跟他傾訴，布里格斯懷疑是貝蒂泄漏了公司機(jī)密，隨后貝蒂對他的示愛更令他加深懷疑。 要在一系列歡笑嬉鬧中，最后才想起一切緣自當(dāng)初的那個玉蝎子的魔法，這些盜竊案最后還撮合了一對天作之合。