影片推薦
利益區(qū)域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言空氣之魂,云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro摩斯拉1996
小林恵,山口紗彌加,羽野晶紀(jì),二見一樹,藤?zèng)g麻彌,萩原流行,田中ひろ子,荒川強(qiáng)啓,寺尾聰,大寶智子,須藤真里子,高橋ひとみ,梨本謙次郎圣誕寶寶
凱瑟琳·巴雷爾 Katherine Barrell,阿里·利伯特,安德魯·J·漢普頓美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers同類精選
影視排行
網(wǎng)住你的心
伽羅·阿德瓦尼,阿迪提亞·西勒,Chirag Pardesi,Paras Gola,Rajesh Jais,Shivam Kakar,Manish Chaudhary,瑪麗卡·杜阿,Yudhishtir Urs,Ansuman Bhagat,Amit BimrotA coming-of-age story of a girl who experience life through misadventures & dating apps.
玉米地的孩子:起源
琳達(dá)·漢密爾頓,考特尼·蓋恩斯,彼得·霍頓年輕情侶波頓(Peter Horton 飾)和維姬(Linda Hamilton 飾)旅行路過內(nèi)布拉斯加州蓋特林鎮(zhèn),他們在公路上發(fā)現(xiàn)一具兒童尸體。為了報(bào)警,兩人驅(qū)車駛?cè)肷w特林鎮(zhèn),卻發(fā)現(xiàn)鎮(zhèn)上的情況更為詭異蹊蹺:這里似乎是兒童的王國,所有成人均不見蹤影。孩子們?nèi)悸犆谝粋€(gè)名叫艾塞克(John Franklin 約翰?法蘭克林 飾)、自稱上帝使者的小男孩?! ℃?zhèn)上的大人究竟哪里去了?孩子們充滿惡意的眼神背后究竟隱藏著什么秘密?波頓和維姬最終能否活著走出小鎮(zhèn)? 本片榮獲1984年布魯塞爾國際奇幻電影節(jié)最佳奇幻電影獎(jiǎng)。
鬼店另有主
薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯克萊兒(莎拉·派克斯頓 Sara Paxton 飾)和盧克(派特·希利 Pat Healy 飾)是一家有著悠久歷史的洋基旅舍(Yankee Pedlar)的店員,無盡長夜中,兩人插科打諢,海闊天空神聊,順便應(yīng)付各種各樣的客人。這家旅舍以鬧鬼著稱,傳說曾有個(gè)名叫瑪?shù)铝铡W馬利的新娘,在旅舍舉行婚禮的當(dāng)天上吊自殺。店主害怕影響生意,于是偷偷藏起尸體長達(dá)三天時(shí)間。事發(fā)后店主引起民眾的憤慨,而鬧鬼的傳言也不脛而走??巳R兒與盧克架起攝像機(jī)拍攝旅社的超自然畫面,并試圖探訪鬼魂的真面目,這個(gè)糟糕的決定將他們帶入萬劫不復(fù)…… 本片榮獲2011年尖叫電影節(jié)(Screamfest)最佳配樂獎(jiǎng)、2011年多倫多午夜電影節(jié)特別獎(jiǎng)觀眾選擇最恐怖影片。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster