戀之欲室

　　故事發(fā)生在圣誕節(jié)前夕，母親的健康突然出狀況，讓四名成年子女和他們令人頭痛的父親慌了手腳，面對可能即將發(fā)生的失去，家庭氣氛也混亂失衡。但聰明的母親六月處變不驚，以犀利的幽默、坦率的態(tài)度和豐沛的愛，安排好自己的人生謝幕。

在社交網(wǎng)絡(luò)上偽裝女性，用話術(shù)誘騙無親無故的男性套取個人信息，從事戶籍買賣的拓也（北村匠海 飾）和守（林裕太 飾），自幼在惡劣環(huán)境中長大，不知不覺已成為黑道組織的爪牙。                                                                      　　盡管涉足灰色產(chǎn)業(yè)，這兩個時常插科打諢的年輕人，本質(zhì)上只是普通的都市青年，彼此相依為命。當(dāng)拓也在黑道引路人、猶如兄長般存在的梶谷（綾野剛 飾）的協(xié)助下，決心與守一同逃離這個黑暗世界時，等待他們的卻是......

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 故事圍繞著一個“來自未來的人”（山姆·洛克威爾 飾）展開，他來到洛杉磯的一家小餐館，在那里他必須招募一群心懷不滿的顧客，與他一起完成一個為期一晚、跨越六個街區(qū)的任務(wù)，以拯救世界免受流氓人工智能的終極威脅。