怨婦·淫娃·瘋殺手

★ 3.5 播放：03萬 更新：2026-05-08

本艷情片為呂奇編導(dǎo)，由性感女星艾蒂、邵音音、凌黛等主演。故事講述佩佩（艾蒂）、菲菲（邵音音）均發(fā)現(xiàn)丈夫有外遇，菲從此玩世不恭，索性供養(yǎng)小白臉作玩弄。佩的丈夫夏利（唐菁），則勾搭上任性狂娃比提（凌黛），比提欲將夏利整個占有，藉他到訪時，暗中施計將門上鎖，拋掉鎖匙，不讓他歸家，兩人痛飲狂歡達旦，終導(dǎo)致佩與夏離婚。後來，佩發(fā)現(xiàn)一直被精神病患者暗中窺伺，此人實乃瘋殺手，曾因奸殺婦女而被判入精神病院……

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劇情簡介

本艷情片為呂奇編導(dǎo)，由性感女星艾蒂、邵音音、凌黛等主演。故事講述佩佩（艾蒂）、菲菲（邵音音）均發(fā)現(xiàn)丈夫有外遇，菲從此玩世不恭，索性供養(yǎng)小白臉作玩弄。佩的丈夫夏利（唐菁），則勾搭上任性狂娃比提（凌黛），比提欲將夏利整個占有，藉他到訪時，暗中施計將門上鎖，拋掉鎖匙，不讓他歸家，兩人痛飲狂歡達旦，終導(dǎo)致佩與夏離婚。後來，佩發(fā)現(xiàn)一直被精神病患者暗中窺伺，此人實乃瘋殺手，曾因奸殺婦女而被判入精神病院……

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瘦身男女

　　Mini Mo（鄭秀文飾）遭受失戀的打擊后，飲食失去控制后體重升至260磅，窈窕身材不再。她與初戀情人黑川約定在十年后的日本相見，但舊貌不再的她深感自卑。偶然相識了跟她同樣體型極胖的肥佬（劉德華飾），肥佬非常同情她，決定要幫她重塑魔鬼身材。肥佬以地獄式減肥方法鍛煉Mini，為了讓她減肥成功，得到更多的金錢讓她上專業(yè)美容院減肥，肥佬不惜在街頭被拳擊換取酬勞。令Mini感動不已?！　ini恢復(fù)原貌前去赴約，黑川向她提出求婚，可是她心中仍念念不忘為她默默付出的肥佬，盼望跟他重逢的一天。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.