劇情簡介
世界末日即將到來，艾蜜莉亞和拉米諾這對愛侶決定享受兩人之間的愛情，不去想像那些令人害怕、不安、恐懼的事物，而是活在當(dāng)下，用愛拯救彼此，直到生命的最后一秒。然而，在這短短的最后時光，那些愛情中難解的問題，依舊朝他們襲來……
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正面還是反面？
娜迪亞·特列什科維奇,亞歷桑德羅·博爾吉,約翰·C·賴?yán)?皮特·藍薩尼,米爾科·阿圖索,加布里埃萊·西里,吉昂尼·嘉科,羅伯特·阿蘭·帕卡德,喬吉歐·曼涅提,薩蒂·勒潑因特,費德里科·阿克羅尼,伊曼努埃拉·奧納吉,布魯諾·迪·吉奧瓦尼,塞弗里諾·斯佩蘭迪歐,杜門尼克·奇奧茲,薇歐拉·索爾達尼,克勞狄歐·卡斯托利20世紀(jì)初，在一場致命的牛仔競技后，羅莎與她的情人踏上逃亡之路，穿越意大利荒野，試圖擺脫追捕。他們的身后，是傳奇人物“水牛比爾”——他不僅是追蹤者，更是掌控故事的人。他拒絕改寫自己版本的真相，而羅莎的命運也因此被卷入一段被掩蓋的往事。隨著旅程深入，逃亡逐漸演變?yōu)橐粓鲫P(guān)于身份、記憶與敘事權(quán)的較量。在現(xiàn)實與傳說交織的邊界上，羅莎必須決定是否繼續(xù)逃避，或重新掌握屬于自己的故事。
毛骨悚然撞鬼經(jīng) 2016夏季特別篇
稻垣吾郎,武井咲,豐島花,板谷由夏,中島健人,前野朋哉,半海一晃,生田繪梨花,生駒里奈,齋藤飛鳥,白石麻衣,西野七瀨,笨蛋節(jié)奏,岸井雪乃,吉本美憂,利重剛,柳葉敏郎,前田敦子,鹿賀丈史病房里的五元硬幣：護士吉川亞由美（武井咲 飾）發(fā)現(xiàn)，每當(dāng)小病人麻友呆呆地指著某個房間某個病床時，該病床的病人就會很快死去。壁櫥好可怕：心懷美容師夢想的青年干也（中島健人 飾）在東京租住了一間廉價公寓，然而房間內(nèi)的壁櫥門總會莫名其妙打開。多出一個人的電梯：四名高中女孩去看望骨折住院的好友上崎亞矢奈因（生駒里奈 飾），當(dāng)她們準(zhǔn)備坐電梯離開時，電梯內(nèi)突然好像又進來一個“人”。詛咒繪馬：小島洋介（バカリズム 飾）意外得到一個會帶來厄運的繪馬，他試圖擺脫卻沒有辦法。夏季通知：不顧父親反對而闖蕩東京的朋子（前田敦子 飾）飽受挫折，偏偏她發(fā)現(xiàn)已經(jīng)去世的父親（鹿賀丈史 飾）時不時出現(xiàn)在他的身邊。引誘池塘：已步入老年的高松（柳葉敏郎 飾）告別子女，打算在度假區(qū)多待一天，夜幕降臨，他似乎看到去世妻子的鬼魂在召喚著他。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
獵夢人
陳孝良,米咪故事發(fā)生在2050年，藍小瑋是一個研究員，她研發(fā)了“零接觸”的技術(shù)--通過佩戴特殊的頭盔，將兩個人的腦電波連接起來實現(xiàn)夢境的連接。這天，一個便衣警探余警官找到研究所，要求小瑋使用零接觸的技術(shù)幫他偵破一個極為棘手的案件。小瑋覺得這案件跟母親的昏迷案件有關(guān)，盡管知道危險，還是不聽父親的阻止，接受這個任務(wù)了。小瑋通過網(wǎng)絡(luò)連接的方式進入昏迷者易田的夢境，隨后搗蛋的余警官也偷偷尾隨而來，兩人在這個奇怪的世界跌跌撞撞，搞笑百出，也危險重重，兩人配合警探父親，終于找到真兇竟然就是實驗室的研究員，至此故事告一段落。
跟我○○○就能紅
青山泰菜,竹田光稀,円谷優(yōu)希,十代修介,富樫未來,佐藤仁,森岡里世,大地洋輔,八木將康,川瀨陽太地方から上京してマンガ家を目指すヒロインが戀に仕事に奮闘する本作。原作は実體験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進していく主人公?香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。
怒海浩劫
李岷城,林妍柔,彭士騰,曹操,黃一晗,于小彬,李巖,李媛,海波影片講述了能源科考隊冒險者號深潛器，在深海海溝執(zhí)行探測任務(wù)時，突遭神秘暗流沖擊，墜入了海底未知禁區(qū)內(nèi)，艙內(nèi)四名隊員失去聯(lián)系，生死未卜。中國救援隊青龍?zhí)柵R危受命，奔赴深海緊急救援，一場奇幻震撼的驚險之旅就此展開......
河童之湄瀾怪談
龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生生物化學(xué)專家明翰受警局顧問沃克教授推薦，協(xié)助警方調(diào)查不明水生物離奇殺人案件。開始眾人都深信是鬼神之說出來害人，明瀚不以為然堅信自己的判斷，隨著案件的偵破，明翰得知兇手就是他尋找多年的父親明智，當(dāng)年父親和沃克教授一起秘密實驗時，不幸意外感染，變異成了今天肆意殺人的河童。 最終真相大白原來這一切都是沃克教授所為，為了利益他背著明智進行非法人體實驗，當(dāng)明智不幸感染時，他不僅沒有醫(yī)治明智還把他當(dāng)成了意外的驚喜，對他進行了人體試驗，導(dǎo)致明翰的母親無人照顧病死家中多日。最終父子二人聯(lián)手協(xié)助警方摧毀了這個犯罪組織。