Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

她不是我媽媽

故事圍繞一對(duì)姐弟 Vira 與 Dino 展開；在父母離異后，他們與母親共同生活，卻發(fā)現(xiàn)母親逐漸“變了”。母親癡迷使用所謂的 “ajian” 和 “rajah”（護(hù)身符或咒語(yǔ)）為生意帶來(lái)好運(yùn)，卻漸漸伴隨著奇怪的暴力行為與精神崩潰

愛(ài)情炸彈

在線觀看

劇情提要

暗夜精選

鐵血戰(zhàn)士：荒原

男孩、鼴鼠、狐貍和馬

堵車

爺孫大學(xué)路

恐怖直播

地面之下

三級(jí)警戒

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好像一切都很糟糕

她不是我媽媽

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