異族通婚 2
有一天，他在泰國(guó)認(rèn)識(shí)并結(jié)婚的敏宇的泰國(guó)妻子在他不知情的情況下逃跑了。他一路回到泰國(guó)尋找妻子，并向妻子的前男友吉東尋求幫助。吉東趁著敏宇的絕望，去卡拉OK酒吧享受娛樂(lè)，假裝用敏宇的錢(qián)找到妻子。然而，敏宇在這里得知了他妻子離家出走的消息，這是他沒(méi)想到的。他在他們?cè)L問(wèn)的同一家按摩院的按摩院里找到了他的妻子，敏宇看到后很生氣，威脅說(shuō)如果她被抓住就讓她一個(gè)人呆著。然而，這家公司是由Yakuzha經(jīng)營(yíng)的，所以他們決定假裝是顧客偷偷溜進(jìn)去，以免引起騷亂艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
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煉獄校園
賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul一名美國(guó)青少女在學(xué)校慘遭霸凌，回?fù)舻暮蠊麉s是被送到感化學(xué)校，不過(guò)這所「學(xué)?！箤?shí)則更像一座監(jiān)獄，她必須奮力抵抗心懷不軌的警衛(wèi)和虎視眈眈的幫派，在這片龍蛇混雜之地殺出自己的生存之道……
擒兇記
詹姆斯·斯圖爾特,多麗絲·黛,布倫達(dá)·德·班澤,伯納德·邁爾斯,拉爾夫·杜魯門(mén),丹尼爾·蓋林,阿蘭·莫布雷,希拉里·布魯克,克里斯托弗·奧爾森,雷吉·納爾德,理查德·沃迪斯,諾埃爾·威爾曼,伊夫·布雷維爾,卡羅琳·瓊斯,伯納德·荷曼,帕特里克·艾亨,弗蘭克·艾伯森,弗蘭克·貝克,奧利弗·克羅斯,Mogens Wieth,Alix Talton,Frank Atkinson,沃爾特·培根,Betty Bascomb,Eumenio Blanco,Lovyss Bradley,克利福德·巴克頓,Albert本（詹姆斯·斯圖爾特 James Stewart 飾）和喬（桃麗絲·戴 Doris Day 飾）是一對(duì)感情十分要好的夫妻，帶著兒子漢克（Christopher Olsen 飾），一家三口來(lái)到了風(fēng)景如畫(huà)的摩洛哥度假。一次偶然中，本和喬結(jié)識(shí)了名叫路易斯（丹尼爾·蓋林 Daniel Gélin 飾）的男人，他們?cè)谝黄鹣嗵幨秩谇ⅰ！ 〔恍业氖虑榘l(fā)生了，路易斯被兇手刺殺身亡，臨死前，他透露了一個(gè)神秘的名字——“安伯斯·查培”，并且告訴本和喬，有人正在倫敦執(zhí)行一項(xiàng)秘密的暗殺行動(dòng)，在得知了這個(gè)驚天秘密后，本和喬來(lái)到了倫敦。暗殺者自知行動(dòng)泄露，為了取得最后的成功，他們不擇手段綁架了漢克，可即便如此，也沒(méi)能動(dòng)搖本和喬聲張正義的決心。
遮天劇場(chǎng)版背棺戰(zhàn)王騰
葉凡與王騰雙天驕宿命對(duì)決，北原王家來(lái)勢(shì)洶洶，姬家老祖心懷鬼胎，姬紫月淪為家族聯(lián)姻工具，葉凡身陷眾矢之的?；墓攀ンw碰撞亂古傳承，誰(shuí)才具真正大帝之姿？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的朋友安德烈
劉昊然,董子健,殷桃,韓昊霖,遲興楷,董寶石,寧理,雷佳音,章若楠,張宥浩,薛寶鶴性格迥異的李默（劉昊然 飾）與安德烈（董子健 飾）因?yàn)樽闱虺蔀橹?，而一?chǎng)意外卻讓安德烈跟隨年少往事一起消失在了李默的記憶中。多年后，李默在為父親奔喪路上與安德烈“重逢”，一段塵封的回憶被逐漸揭開(kāi)…… 電影改編自雙雪濤的同名小說(shuō)《我的朋友安德烈》。
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬(wàn)博格,AJ·鮑恩,Kentucker Audley媒體從業(yè)人員帕特里克·卡特（肯塔克爾·德利 Kentucker Audley 飾）意外聯(lián)系到了失蹤許久的姐姐卡羅琳（艾米·西米茨 Amy Seimetz 飾）?？_琳當(dāng)初曾在戒毒所治療，如今住進(jìn)了一個(gè)名為“圣伊甸園”的地方，并自稱過(guò)上了烏托邦般的生活。為了弄清姐姐的下落，帕特里克和同事兼好友山姆·特納（AJ·鮑恩 AJ Bowen 飾）、杰克·威廉姆斯（喬·斯萬(wàn)博格 Joe Swanberg 飾）啟程前往圣伊甸園的所在地調(diào)查。這座樂(lè)園位于一個(gè)鮮為人知的隱秘所在，許許多多生活中經(jīng)歷痛苦和坎坷的人們，在“父親”（吉恩·瓊斯 Gene Jones 飾）的感召和撫慰下重獲新生。 出于媒體人的敏感，山姆取得了和“父親”對(duì)談的機(jī)會(huì)，但他卻從對(duì)方幽默機(jī)智的談吐中嗅到了一絲殺氣……