火女

3.4 播放：60萬(wàn) 更新：2026-05-12

一部從純潔少釹到妖媚坐臺(tái)釹的360度轉(zhuǎn)變的大片,準(zhǔn)備大學(xué)聯(lián)考的娜美是洪釹士失去丈夫后唯一的親人，也是洪釹士的全部，釹兒的天真無(wú)暇使得她對(duì)釹兒的噯，非常寵溺甚至過(guò)度愛(ài)惜。為了釹兒只能同相好的情人偷偷的約會(huì)。有一天為了一時(shí)的歡噯耽擱了接娜美放學(xué)，釹兒突然失蹤。從此在另一個(gè)黑暗的世界遭受輪奸、毆打、接客粗野的虐待、無(wú)奈與恐懼、挑逗與情欲的本xing從此讓純潔的學(xué)生變?yōu)檠G的妓釹，漫漫長(zhǎng)夜，突然一天有人為釹兒的丅落對(duì)洪釹士進(jìn)行敲詐，經(jīng)過(guò)警察的仟辛萬(wàn)苦，終于尋到了娜美，但娜美卻揮不去失蹤期間被羞辱的打擊與陰影，終而選擇自殺，自責(zé)與憤慨的洪釹士決心尋出陷害釹兒的兇手予以報(bào)復(fù) 

播放通道

詳細(xì)簡(jiǎn)介

一部從純潔少釹到妖媚坐臺(tái)釹的360度轉(zhuǎn)變的大片,準(zhǔn)備大學(xué)聯(lián)考的娜美是洪釹士失去丈夫后唯一的親人，也是洪釹士的全部，釹兒的天真無(wú)暇使得她對(duì)釹兒的噯，非常寵溺甚至過(guò)度愛(ài)惜。為了釹兒只能同相好的情人偷偷的約會(huì)。有一天為了一時(shí)的歡噯耽擱了接娜美放學(xué)，釹兒突然失蹤。從此在另一個(gè)黑暗的世界遭受輪奸、毆打、接客粗野的虐待、無(wú)奈與恐懼、挑逗與情欲的本xing從此讓純潔的學(xué)生變?yōu)檠G的妓釹，漫漫長(zhǎng)夜，突然一天有人為釹兒的丅落對(duì)洪釹士進(jìn)行敲詐，經(jīng)過(guò)警察的仟辛萬(wàn)苦，終于尋到了娜美，但娜美卻揮不去失蹤期間被羞辱的打擊與陰影，終而選擇自殺，自責(zé)與憤慨的洪釹士決心尋出陷害釹兒的兇手予以報(bào)復(fù) 

同類(lèi)推薦

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

媽媽?zhuān)簛?lái)自Neraka的祝福

漢娜·阿爾·拉希德,卡莉斯塔·阿魯姆,Nova Eliza

 普特里一直只知道她的母親薩里是一位才華橫溢的塔羅牌占卜師，深受眾多高官顯貴和商界名流的信賴(lài)。她對(duì)薩里幾乎沒(méi)有任何私人記憶，直到薩里在一場(chǎng)事故中喪生。有一天，普特里收到了一條手機(jī)短信——來(lái)自她已故母親的號(hào)碼。起初，她以為這只是個(gè)惡作劇。但漸漸地，這些短信開(kāi)始指引她未來(lái)的命運(yùn)——而這些命運(yùn)真的發(fā)生了。普特里慢慢意識(shí)到，這些短信確實(shí)是她母親發(fā)來(lái)的。

怒海浩劫

李岷城,林妍柔,彭士騰,曹操,黃一晗,于小彬,李巖,李媛,海波

　　影片講述了能源科考隊(duì)冒險(xiǎn)者號(hào)深潛器，在深海海溝執(zhí)行探測(cè)任務(wù)時(shí)，突遭神秘暗流沖擊，墜入了海底未知禁區(qū)內(nèi)，艙內(nèi)四名隊(duì)員失去聯(lián)系，生死未卜。中國(guó)救援隊(duì)青龍?zhí)柵R危受命，奔赴深海緊急救援，一場(chǎng)奇幻震撼的驚險(xiǎn)之旅就此展開(kāi)......

清算

高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,張榮祥 Cheung Wing-Cheung,屈剛,張媛鈺,賈天明,景樂(lè),韓則怡 Zeyi Han,武岳 Yue Wu,張懷公,洪子龍 Zilong Hong,劉浩嵐 Haolan Liu,劉開(kāi)心 Kaixin Liu

　　黃浦江畔，殺機(jī)四伏，規(guī)則是否能由“她”重寫(xiě)？刀光里是黑幫的血腥，陰影下是性別枷鎖的崩裂——多年銀幕未見(jiàn)之大女主暴力爽片?！　∨P龍幫少主武青青，家族遭戮，自身遭叛，從獵物化身獵手；她隱于暗處，每一張笑臉背后，都可能藏著致命的匕首，日本商會(huì)登堂入室，內(nèi)鬼隱匿于至親之間，無(wú)間道中再掀無(wú)間，信任是奢侈品，每一步都是懸崖！她將如何撕下那一張張?zhí)搨蚊婢?？奸，是叛幫之徒，是入侵之?dāng)?，還是枕邊之人？　　風(fēng)暴已至，“除奸”成為唯一信條……

毛骨悚然撞鬼經(jīng) 15周年特別篇

稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛(ài)麗絲,藤本泉

　　S銅山的女人：失意的保險(xiǎn)公司業(yè)務(wù)員山邊夏美（石原里美 飾）和同僚桑原（小池徹平 飾）在歸途中誤入被封閉多年的S銅礦山，由此遭遇了一連串恐怖的詭異事件；小智：被情感困擾的女孩里奈（剛力彩芽 飾）按照都市傳說(shuō)給自己的手機(jī)打了電話(huà)，并連念三遍“小智”，希望解開(kāi)心中疑惑，誰(shuí)知此后卻被小智纏上；兇手是誰(shuí)：看似陰沉的派遣職員熊谷（北乃紀(jì)伊 飾）自稱(chēng)能夠看到別人看不到的真相，她的上司三澤健太（草剪剛 飾）起初并不相信，但接連的事實(shí)讓他大為震驚；誘惑的森林：小葵（島崎遙香 飾）和朋友結(jié)菜（廣瀨愛(ài)麗絲 飾）去山里游玩，山中一間老舊的廁所卻帶給她們最恐怖的回憶；把手給我：勤奮的OL瀧本理沙（桐谷美玲 飾）不知何時(shí)與同學(xué)兼同事的好友雅美（菜菜緒 飾）關(guān)系變差，壓力巨大的她發(fā)現(xiàn)每晚都有一只手緊緊抓住她的胳膊；出租車(chē)司機(jī)的自述：老實(shí)的出租車(chē)司機(jī)中川（坂上忍 飾）在晚上載了一位要去很遠(yuǎn)地方的女客人，但是這位客人竟是如此沉默；黑暗中的視覺(jué)：人過(guò)中年的森川千尋（黑木瞳 飾）在一家工廠找到工作，擁有天眼的她看到了許多的鬼魂。