歐美小姐姐在家自己都快摸出水了

評分：3.8 播放：30萬 更新：2026-05-13
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歐美小姐姐在家自己都快摸出水了

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旅行者的需求

伊莎貝爾·于佩爾,李慧英,權(quán)海驍,趙允熙,河成國

　　來自法國的旅行者伊麗絲在韓國擔(dān)任法語家庭教師賺取生活費(fèi)。語言的隔閡讓她和學(xué)生之問的交流充滿錯(cuò)位感，東亞文化中不善于思考和表達(dá)內(nèi)心情感的“痼疾"又與渴望交流與開放的心態(tài)交織在一起，觸發(fā)了只有異國旅行者才能感受到的特殊孤獨(dú)與惆悵。被譽(yù)為韓國作者電影第一人的導(dǎo)演洪常秀繼《在異 國》《克萊爾的相機(jī)》之后與法國國寶級女演員伊莎貝爾·于佩爾再度合作，用極簡主義的拍攝手法呈現(xiàn)細(xì)致入微的人際關(guān)系精妙互動，斬獲2024年第74屆柏林國際電影節(jié)評審團(tuán)銀熊獎(jiǎng)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鉆石般的她

路易莎·拉涅瑞,杰絲敏·特麗卡,斯特凡諾·阿科爾西,盧卡·巴爾巴羅薩,薩拉·博西,洛雷達(dá)納·卡納塔,杰皮·庫奇阿里,安娜·費(fèi)澤蒂,奧羅拉·喬維納佐,妮可·吉瑪多,米萊娜·曼奇尼,維尼喬·馬爾基奧尼,葆拉·米納喬尼,愛多阿多·普爾加托里,卡爾米內(nèi)·雷卡諾,艾萊娜·索菲亞·里奇,盧妮塔·薩維諾,凡妮莎·斯卡萊拉,卡拉·西格諾里斯,卡夏·斯穆特尼亞克

　　「人可生如蟻而美如神」：一班裁制亮麗戲服的中年裁縫慨嘆自己生如蟻，一名奧斯卡導(dǎo)演拍出她們美如神的生命。導(dǎo)演邀約一眾他熱愛的演員，重塑一家高級裁縫工作室色彩斑斕、五味集陳的過往，追憶70年代一班堅(jiān)毅溫柔的女裁縫的故事：表面盛勢凌人卻細(xì)膩體貼的老板、善良卻抑郁的妹妹拍檔、單純的寡婦和她的小兒子、偏愛小鮮肉的姨姨、被家暴的妻子、昔日美艷的舞者、逃避通緝的少女??一群日常女子拋開小我、互相照顧，照亮平凡生活中超越自我的不平凡，展現(xiàn)她們的獨(dú)立、愛欲、掙扎和力量。意大利金像獎(jiǎng)觀眾人次最高獎(jiǎng)意大利銀絲帶獎(jiǎng)年度電影

冰球小子

保羅·紐曼,斯特羅瑟·馬丁,邁克爾·昂吉恩,珍妮弗·沃倫,林賽·克洛斯,杰里·豪澤,Andrew Duncan,Jeff Carlson,Steve Carlson,David Hanson,Yvon Barrette,Allan F. Nicholls,布拉德·蘇利文,斯蒂芬·門迪洛,Yvan Ponton,馬修·考爾斯,Kathryn Walker,梅林達(dá)·狄龍,M·埃梅特·沃爾什,斯薇茲·昆茨,Ronald L. Docken,Guido Tenesi,Jean Rosario Tetreault,

　　一名過氣冰上曲棍球教練，在麻州小鎮(zhèn)中領(lǐng)導(dǎo)一隊(duì)二流球隊(duì)輾轉(zhuǎn)作戰(zhàn)，終于在最后一場比賽中挽回他失落的名聲。這是一部拍得相當(dāng)直率粗暴的男性化運(yùn)動片，冰上曲棍球的比賽場面經(jīng)?？梢娀土餮R頭，加上對白的"四字經(jīng)"不絕于耳，當(dāng)年首映時(shí)也引起了不少爭論。曾經(jīng)合作過金像獎(jiǎng)電影《刺激：騙中騙》的導(dǎo)演喬治·萊希爾和明星保羅·紐曼，再一次表現(xiàn)出賣力的成績。