小岳母

8.9 播放：37萬(wàn) 更新：2026-05-14
主演： ???/

男主生意失敗，無(wú)處居住，搬去了妻子娘家居住，由于岳父岳母已經(jīng)離婚，男主的新岳母很年輕，同樣也欲求不滿(mǎn)，男主整天忙于生意，冷落了妻子，妻子便也有了外遇，跟外面的男人整日廝混，男主從妻子那也得不到性滿(mǎn)足，更是心煩意亂，這一切被小岳母收于眼底，為了緩和家中的氣氛，她想到了一個(gè)用自己的肉體來(lái)使男主放松下來(lái)的妙計(jì)...蛋蛋電影網(wǎng)

播放通道

詳細(xì)簡(jiǎn)介

男主生意失敗，無(wú)處居住，搬去了妻子娘家居住，由于岳父岳母已經(jīng)離婚，男主的新岳母很年輕，同樣也欲求不滿(mǎn)，男主整天忙于生意，冷落了妻子，妻子便也有了外遇，跟外面的男人整日廝混，男主從妻子那也得不到性滿(mǎn)足，更是心煩意亂，這一切被小岳母收于眼底，為了緩和家中的氣氛，她想到了一個(gè)用自己的肉體來(lái)使男主放松下來(lái)的妙計(jì)...蛋蛋電影網(wǎng)

熱門(mén)影視 大家都在看

同類(lèi)推薦

格拉德貝克人質(zhì)事件

薩沙·亞歷山大·吉爾薩克,亞歷山大·謝爾,Marie Rosa Tietjen,阿爾布雷希特·舒赫

　　故事發(fā)生在1988年的德國(guó)，漢斯（薩沙·亞歷山大·吉爾薩克 Sascha Alexander Ger?ak 飾）和迪特（亞歷山大·吉爾 Alexander Scheer 飾）搶劫了位于北威州格拉德貝克的德意志銀行，并且劫持了兩名銀行職員作為人質(zhì)，帶著他們一起踏上了逃往的旅途。　　很快，負(fù)責(zé)此案的邁澤警探就展開(kāi)了對(duì)于漢斯一行人的追捕。為了鉗制警方，漢斯的女友瑪麗昂（Marie Rosa Tietjen 飾）又劫持了一輛載有三十名乘客的公交車(chē)，來(lái)幫助男友脫離警方的追捕。因?yàn)榇跬绞种械娜速|(zhì)數(shù)量眾多，導(dǎo)致德國(guó)警方遲遲無(wú)法下手，引來(lái)了輿論和媒體的不滿(mǎn)，與此同時(shí)，迪特在一次意外中射殺了年僅14歲的少年曼紐埃爾，這場(chǎng)死亡事件將整個(gè)故事推上了高潮。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

少林傳人

狄龍,爾冬升,白彪,艾飛,詹森

　　野心勃勃的九王爺（白彪 飾）企圖謀權(quán)篡位，落敗的皇帝（艾飛 飾）命令兩名侍衛(wèi)將兩個(gè)皇子分別抱走，以延續(xù)皇家血脈。大太子（狄龍 飾）被送到了少林寺，三個(gè)瘋瘋癲癲的和尚收留了他，替他取名道行，傳授其武功。二太子（爾冬升 飾）則被丞相（谷峰 飾）收為義子，改名為王子泰?！　∞D(zhuǎn)眼多年過(guò)去，某日，王子泰來(lái)到了少林寺，偶然遇見(jiàn)了道行，盡管他們彼此都不知道對(duì)方的身份和身世，但兩兄弟還是一見(jiàn)如故，很快就結(jié)下了堅(jiān)實(shí)的友誼。九王爺買(mǎi)通了寺廟內(nèi)的僧人，想要將道行和王子泰斬草除根，無(wú)奈之中，兩人逃出了少林，踏上了充滿(mǎn)危險(xiǎn)的未知之旅。

養(yǎng)鬼吃人5：直闖地獄

洛杉磯警探喬瑟夫（克萊格·謝菲爾 飾）是個(gè)標(biāo)準(zhǔn)敗類(lèi)，嗑藥嗑得比誰(shuí)都勤快，調(diào)查命案不忘順手牽羊，更枉顧家中妻小，專(zhuān)搞迷人可愛(ài)的阻街女郎。一宗幼童謀殺案現(xiàn)場(chǎng)，喬瑟夫撿回一只受過(guò)詛咒的奇異盒子，打開(kāi)后怪事不斷一樁接一樁：昨夜搞上的妓女意外身亡，他瞬間成為頭號(hào)嫌疑犯；一連串似幻似真的恐怖體驗(yàn)更不斷尾隨，無(wú)臉怪人四處追殺人群，《養(yǎng)鬼吃人》系列當(dāng)家猛鬼－針頭鬼（Pinhead）也重出江湖，一個(gè)頭兩個(gè)大的喬瑟夫該如何解決這謎一般的虛實(shí)夢(mèng)魘？本片改編自克里夫巴克（Clive Barker）恐怖小說(shuō)「受地獄羈絆之心」The Hellbound Heart，這顆壞心腸的主人正是故事男主角喬瑟夫，身為警察的他自身行為不檢點(diǎn)也罷，涉嫌謀殺難以脫罪的他竟然嫁禍好同事，善惡終有報(bào)，惡徒喬瑟夫果然陷入萬(wàn)劫不復(fù)的魔鬼夢(mèng)魘，活著比死更痛苦。

華氏247

絲柯·泰勒-考普頓,克里斯蒂娜·烏洛亞,特拉維斯·范·文克,邁克爾·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亞尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II

　　晴朗的一天，三年前痛失男友的珍娜（絲柯·泰勒-考普頓 Scout Taylor-Compton 飾）與好友瑞妮（克里斯蒂娜·尤羅爾 Christina Ulloa 飾）、邁克（邁克爾·科彭 Michael Copon 飾）以及新結(jié)識(shí)的帥氣青年伊安（特拉維斯·范·文克 Travis Van Winkle 飾）前往某個(gè)鄉(xiāng)村，參加當(dāng)?shù)嘏e行的五月節(jié)。湖畔小屋，笑語(yǔ)歡歌，青年男女們縱情歡樂(lè)，只有珍娜強(qiáng)顏歡笑，似乎久久無(wú)法從三年前的慘劇中走出。隨著夜幕降臨，四人走入桑拿室，體會(huì)無(wú)上的蒸汽享受，而危機(jī)也正一步步向他們迫近。在此期間，邁克和瑞妮突然爆發(fā)爭(zhēng)吵，前者奪門(mén)而出，大發(fā)雷霆，而瑞妮和珍娜、伊安稍后卻發(fā)現(xiàn)，他們?nèi)藚s被意外鎖在桑拿室中?！　囟戎饾u升高，而死神的腳步越來(lái)越近……