七度音程女人
據(jù)記載，這部電影的意大利名字是;第七個女人。三個銀行劫匪在他們的老雪鐵龍中逃亡，他們偶然發(fā)現(xiàn)一個偏僻的海灘小屋，并發(fā)現(xiàn)這是一個完美的藏身之地。但問題是，這所房子被一些天主教學(xué)校的女孩和她們的老師占據(jù)，她們也是修女。殘暴的銀行劫匪徑直進屋，殺死了女傭，然后繼續(xù)與幾個女孩和她們的老師相處。一個女孩用一把瞄準(zhǔn)了腹股溝的梳子柄拒絕了一個強盜的前進，但他做得不太好。當(dāng)然，這些女孩和修女不會繼續(xù)遭受強奸和折磨，最終會占上風(fēng)。這不像;左邊最后一棟房子;那么難看，更像是一個蒼白的仿制品。盡管如此，如果你喜歡這類電影，它還是一部相當(dāng)不錯的剝削片，但是沒有什么可以把它提升到那種特別的高度。十分之六。
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身在其中
艾莉森·帕拉迪絲,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎麗·羅賽,Fran?ois-Régis Marchasson,碧翠斯·黛爾,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,盧德維克·伯特希爾克,Emmanuel Lanzi,尼古拉斯·迪佛休爾,艾曼·賽義迪女性攝影師莎拉（Alysson Paradis 飾）和馬西歐（Jean-Baptiste Tabourin 飾）這對幸福的夫妻組成的小家庭即將迎來新的成員，但一場嚴(yán)重的車禍摧毀了他們美好的憧憬。馬西歐在車禍中喪生，莎拉以及未出世的寶寶僥幸存活?！ ∈フQ之夜，孤獨的莎拉待在家中，等待第二天早晨的生產(chǎn)。這時敲門聲響起，一名黑衣女（Béatrice Dalle 飾）請求使用電話。莎拉本能地拒絕了她，誰知黑衣女竟千方百計想要闖進來。她的目的只有一個，搶奪莎拉那尚未出世的孩子。擋路者只有死路一條……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我家的事
藍(lán)葦華,高伊玲,曾敬驊,黃珮琪,朱羿銘,姚淳耀,嚴(yán)藝文,鄭有杰一個家就是一個四季，每個家都有不能說的秘密。追尋身世的姊姊、艱辛求子的媽媽、天兵闖蕩的弟弟、試圖逆轉(zhuǎn)人生的爸爸，有歡聲笑鬧，也有哭泣仿徨，直到微光照進幽暗的心房。改編自短片《姊姊》，導(dǎo)演潘客印首部長片以不同家人視角，編織一部動人小品，勾勒平凡臺灣鄉(xiāng)間家庭橫越24年的鮮活畫像。藍(lán)葦華、高伊玲、曾敬驊、黃佩琪共組一家四口，串起四段時光的悲喜往事。
無名之町
福山雅治,有村架純,成田凌,生田繪梨花,木村昴,森永悠希,秋山寬貴,犬飼貴丈,岡崎紗繪,森崎溫,丸山智己,濱田麻里,伊藤淳史,生瀨勝久,仲村亨退休中學(xué)教師神尾英一被人殺害，即將于兩個月后結(jié)婚的女兒神尾真世（有村架純 飾）在得知父親突然離世的消息后，返回了自己的家鄉(xiāng)。然而，這座小鎮(zhèn)自疫情蔓延以來，已失去了往日的活力，游客稀少，氣氛沉寂。深受學(xué)生們愛戴的教師英一，究竟為何遭人殺害？渴望揭開真相的真世面前，出現(xiàn) 了一位神秘的男子——她的叔叔神尾武史（福山雅治 飾），一位曾在拉斯維加斯享譽盛名的前魔術(shù)師…… 本片改編自東野圭吾的同名小說，講述了主人公以觀察人類和誘導(dǎo)審問為武器，和侄女一起解決疑難事件的故事。
新外星人
克斯汀·埃伯索爾,喬納森·沃德,蒂娜·卡斯帕里,勞倫·斯坦利,杰德·考戈里一個外星人家庭在不幸意外地被美國探測太空船攜回地球，他們在一陣混亂中沖出太空總署逃向沙漠，但小外星人麥克與家人失散，溜上了不良于行的艾瑞克家人的旅行車而跟著車到了內(nèi)華達州。麥克在一次意外事件中救了艾瑞克之后，與艾瑞克兄弟和鄰居女童黛比等人結(jié)為好友，并要求他們協(xié)助搜救在沙漠中垂死的家人。艾瑞克一行人終于在麥克的指引下找到他的家人并帶他們回家，卻不意在超級市場中造成騷動，警方及尾隨而來的科學(xué)家們企圖抓住他們而引發(fā)了沖擊…
無約而至
李京沐,李若寧,張子棟,于月仙,秦衛(wèi)東,王雙寶影片通過追逐與命案，講述了一段真實感人的愛情故事。核心不是命案，不是拐賣兒童案，是溫暖與希望。無論生活有多悲催，只要相信愛擁有愛，就會無所畏懼，充滿希望。善惡對錯不應(yīng)是非黑即白，人就如同兩棲動物，始終游離在善惡之間的一念之差，貴在如何選擇。