劇情簡介
興趣是交換性愛的大社長孝,與在同公司任職的女友由理亞,虎視眈眈地想和公司另一對情侶麻美耶來場大型性愛游戲。完全不知道由理亞的男友是誰的麻美耶,到了約定場所后,被坐在沙發(fā)上等待的社長嚇了一跳……  海外影視網(wǎng)
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瘋狂海盜團2
凱瑞·豪根·西德尼斯,Sienna Rosie Schei,David Leander Helgor,Lisa Stokke,哈瓦德·巴克,尼爾斯·約恩·卡爾斯塔德,杰普·貝克·勞爾森,Jan Martin Johnsen,Fridtjof Stens?th Josefsen,Terje Formoe,Charlotte Frogner,雅各布·奧福特布羅摯友雷文和粉紅公主在令人聞風喪膽的海盜、七海之王劍齒虎船長的麾下服役。狡猾的格羅爾伯爵夫人西比拉襲擊了他們的船,偷走了珍貴的船首像并綁架了粉紅公主—這一切都是她精心策劃的,旨在誘捕劍齒虎船長,征服海盜的家園。
77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
我的青春我的夢
張淑琬大學生青春勵志,追求自己的夢想!三個青年人回歸大學的生活學習中,繼續(xù)努力,不斷充實自己,讓自己有機會,有能力站在更高的平臺上,在各自的人生舞臺上閃閃發(fā)光。她們?nèi)匀粺釔垭娪?、拍攝電影,但更愛踏實勤奮的自己。
姽婳
閆鹿楊,姜文軒,趙婉嬌,李鐵軍,劉希媛,宋國鑫,顏冠英,于飛,于洛熙知名畫家創(chuàng)作的最后一幅作品“惡靈畫像”后離奇死亡了,女設(shè)計師張琳和同伴早就聽說過“惡靈畫像”具有詛咒的傳說----見者必死。強烈的獵奇心理驅(qū)使貌美性感的張琳走向了尋找“惡靈畫像”的路上,在尋找的過程中不斷遭遇了一系列靈異、詭異事件……身邊同伴不斷失蹤、離奇死亡...... 張琳是否能在探秘的過程中活下來… 是否能夠找到“惡靈畫像”. 真相逐步揭開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的陽過阿公
柯一正,蔡明修,唐從圣,陳竹升,孔令元,葛丞,李宜儒,阮安妮疫情被迫「三代同堂」,面對即將被法拍的祖厝,一家人從形同陌路到大膽計劃,潛入殯儀館只為證明阿公不是陽性過世,借此賺取告別式禮金。
鐵肺
馬克·費施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾?!ぢ宸蚵蹇?艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷影片改編自2022年的同名獨立恐怖游戲。背景設(shè)定在名為“The Quiet Rapture”的末日之后,一名囚犯被迫深入血紅色的海洋,駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。