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亞伯拉罕先生
Omar Sharif,伊莎貝爾·阿佳妮,伊莎貝爾·阿佳妮 Isabelle Adjani15歲的以色列小男孩莫塞斯（Pierre Boulanger 飾）和父親（Pierre Boulanger 飾）住在巴黎藍色大道一幢貧窮臟亂的公寓中。母親（Isabelle Renauld 飾）離家出走，父親整天沉迷于書本，還編造出一個并不存在的優(yōu)秀的哥哥打擊莫塞斯。本該享受童年快樂的小男孩壓抑陰郁，在附近的流鶯獻出了自己的第一次。莫塞斯去附近的土耳其穆斯林亞伯拉罕先生（Omar Shariff 飾）的雜貨店里偷盜，被亞伯拉罕發(fā)現(xiàn)。和藹的老人原諒了眼前這個小男孩，并親切地向他傳授知識，一老一少從此展開一段彌足珍貴的忘年交……
富貴再逼人
沈殿霞,董驃在報館任職的驃叔（董驃 飾）因為工作的關(guān)系帶著全家到加拿大工作。一家五口都全身心投入新環(huán)境新生活中，驃叔卻因得罪上司被解雇了。由于大女兒、二女兒（李麗珍 飾）已開始了學(xué)業(yè)，他唯有帶著妻子驃嬸（沈殿霞 飾）與最小的女兒回到香港繼續(xù)生活，生活卻比以前更艱難了。驃嬸無意中發(fā)現(xiàn)了一張加拿大的頭獎彩票，獎金是兩千萬加幣?！ ∮捎诓粔蝈X到加國，驃叔硬著頭皮向舊上司借。同樣受到經(jīng)濟危機的上司設(shè)法要奪取驃叔的彩票。驃叔一家頑強對抗，保住了彩票，卻無法在領(lǐng)獎時限截止前趕到?！ ∫患胰藗牧鳒I，悲傷之中發(fā)現(xiàn)時間上出現(xiàn)了時差，領(lǐng)獎的時間還沒截止。
取款機殺人夜
愛麗絲·伊芙,喬希·佩克,布萊恩·格拉格提,阿隆·休斯,奧馬爾·可汗,威爾·沃伊托維希,格倫·湯普森一年一度的圣誕佳節(jié)終于到來，在狂歡派對上，投資公司職員大衛(wèi)（布瑞恩·杰拉夫迪 Brian Geraghty 飾）終于鼓起勇氣向剛剛辭職的美麗女職員艾蜜莉（艾麗絲·伊芙 Alice Eve 飾）搭話，聚會中途，二人驅(qū)車和他們的朋友科瑞（喬什·派克 Josh Peck 飾）一同返回。此時已近深夜，希望買點兒什么吃的的三個人進入某自動提款機服務(wù)站取錢，可是正待出門時卻發(fā)現(xiàn)一個神秘陰森的身影站在外面，后者更在眾目睽睽之下殺了一個陌生的流浪漢?！ 〈笮l(wèi)等人就這樣被困在方寸之間，看似隨機的襲擊事件，一切似乎又盡在神秘之人的掌控之中，他們最終能否逃脫？還是成為恐怖襲擊者的犧牲品？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
失真的畫
威廉·達福,斯科特·斯比德曼,彼得·斯特曼,克里·杜瓦爾,Samantha MacIvor五年前，一系列模仿名畫場景的連環(huán)殺人案轟動紐約城，警探斯坦（Willem Dafoe 飾）受命調(diào)查此案，然而卻遲遲沒有進展，令其飽受輿論壓力。斯坦以少女克莉斯特（Samantha MacIvor 飾）作誘餌吸引兇手，雖然成功擊斃嫌疑犯艾迪，卻也導(dǎo)致克莉斯特慘遭殺害?！ “弦话甘顾固沟玫骄鸺为?，順利升職，不過他的心中始終對遇害少女懷有愧疚，并且此案背后似乎另有隱情。心中承受巨大內(nèi)疚之情的斯坦沉溺酒精，愈加孤僻。五年后，類似案件再次出現(xiàn)，兇手似乎有意以斯坦為目標(biāo)發(fā)出赤裸裸的挑戰(zhàn)。斯坦不僅要面對這個狡猾且智商極高的對手，更要面對長久以來困擾自己的心魔……
養(yǎng)鬼吃人8：地獄世界
蘭斯·亨利克森,凱瑟琳·溫妮克,克里斯托弗·賈科特,卡里·佩頓,亨利·卡維爾,維克多·麥奎爾,道格·布拉德利,Catalina Alexandru這部最新續(xù)集故事從五個年青的互聯(lián)網(wǎng)游戲者，接到一個神秘的邀請開始，去參加一個名叫《地獄互聯(lián)網(wǎng)》站點的特殊聚會，不過他們沒有想到，那是一個恐怖的難以用言語表達的夜晚。。。全新特技、視覺效果，一個恐怖電影迷不能放過的片子。 這是一部全新而獨特的Hellraiser系列最新篇，大部分原班人員繼續(xù)上陣。和其它幾集比較來說，表面看只是一出跟其它B級片沒兩樣，同樣灑狗血的電影，但Rick Bota在血和核突以外，還加上深入一點的人性探討。前幾集的故事主要跟家庭、人的欲望和惡行有關(guān)，結(jié)果令他們慘受地獄使者的騷擾，充滿冷色調(diào)的美術(shù)設(shè)計，令Clive Barker所營造的世界，更見冷酷。