伊娃傳小唇愛娃的故事
別名:暫無內(nèi)容Historia暫無內(nèi)容de暫無內(nèi)容Eva暫無內(nèi)容/暫無內(nèi)容Little暫無內(nèi)容Lips暫無內(nèi)容這部片子可以說就是歐版的lolita吧暫無內(nèi)容豬腳打完一戰(zhàn)回來，遇到了精靈一般可愛的小侄女暫無內(nèi)容他寵愛她，天人交戰(zhàn)暫無內(nèi)容她漸漸懂得男女之事暫無內(nèi)容某一天終于和賣藝少年要初試云雨暫無內(nèi)容被豬腳看到，經(jīng)受戰(zhàn)爭與感情雙重打擊的豬腳，丟下要送給女孩的禮物自殺了暫無內(nèi)容和lolita一樣，這個年紀(jì)女孩是天使與魔鬼的混合體
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利益區(qū)域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言電影講述了奧斯維辛集中營的指揮官魯?shù)婪颉せ羲购退钠拮雍５罗备裨诩袪I旁的一所房子里和花園中為他們的家庭打造夢想生活的故事。
瘋狂動物城2
金妮弗·古德溫,杰森·貝特曼,關(guān)繼威,福瓊·費(fèi)姆斯特,安迪·薩姆伯格,大衛(wèi)·斯特雷澤恩,伊德瑞斯·艾爾巴,夏奇拉,帕特里克·沃伯頓,昆塔·布倫森,內(nèi)特·托倫斯,邦妮·亨特,唐·雷克,麥考利·卡爾金,布蘭達(dá)·宋,莫里斯·拉馬奇,莉亞·萊瑟姆,雷蒙德·S·佩爾西,珍妮·斯蕾特,丹尼·特雷霍,馬克·史密斯,湯米·利斯特,讓·雷諾,塞西莉·斯特朗,朱恩·斯奎布,米歇爾·戈麥茲,戴維·法恩,約翰·雷吉扎莫,湯米·鐘,艾倫·圖代克,邁克爾·J·?？怂?喬?！み_(dá)拉斯,彼得·曼斯布里奇,伊薇特·尼科爾·布朗,艾德·希蘭,一個神秘爬行動物的到來，把溫馨的動物城攪動得天翻地覆。面對全新的城市危機(jī)，警官兔朱迪（金妮弗·古德溫 Ginnifer Goodwin 配音）與狐尼克（杰森·貝特曼 Jason Bateman 配音）將繼續(xù)攜手為保衛(wèi)動物城而奔波。在追捕行動中，這對老搭檔不僅要揭開新角色的神秘面紗，還要前往被迷霧籠罩的新領(lǐng)域，探索未知的地下黑市，一場瘋狂動物城的全新冒險即將展開……
嘔吐戈?duì)?：祭祀
《祭祀》是2008年在美國上映的一部恐怖電影，由路西爾.維綸泰恩執(zhí)導(dǎo)，路西爾.維綸泰恩領(lǐng)銜主演。 《祭祀》展示了涅槃般樂隊(duì)的柯特·科本以及患有貪食癥的歌手安吉拉·阿伯丁自殺的瘋狂景象。受到惡魔般的同胞的感官精神的影響，安吉拉痛苦的自殘終于遭遇腦死亡。這是導(dǎo)演lucifervalentine的第二部作品
怪物2023
安藤櫻,永山瑛太,黑川想矢,柊木陽太,高畑充希,角田晃広,中村獅童,田中裕子平靜的湖畔小鎮(zhèn)，疼愛兒子的單親媽媽早織（安藤櫻 飾）、為學(xué)生著想的爽直老師保利 （永山瑛太 飾）以及天真爛漫的孩子們本過著安穩(wěn)的生活，卻因?yàn)橐淮涡@沖突，發(fā)酵釀成軒然大波，惹起社會與媒體的關(guān)注。當(dāng)事態(tài)越見嚴(yán)重，竟在一個暴風(fēng)雨的清晨，兩個孩子雙雙失去了蹤影……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
禍禍女
南沙良,前田旺志郎,山田葵 ,高石明里,九條ジョー,鈴木福,前原瑞樹,平田敦子,平原哲,齋藤工,田中麗奈早苗的戀人，在雨夜慘死于都市傳說中「禍禍女」的詛咒之下——傳聞這只女鬼帶著潮濕的黑發(fā)，循著背叛者的氣息索命。親眼目睹戀人被拖入黑暗的早苗，被無盡的恐懼與恨意啃噬，她循著「禍禍女」的傳說碎片，踏入被詛咒籠罩的陰暗角落。調(diào)查中，她撞見無數(shù)令人寒毛倒豎的詭異異象，每一步追查都在揭開戀人死亡背后的謊言，那只游蕩的女鬼，始終在她身后帶著冰冷的注視，等著她看清藏在黑暗里的真相。