地中海廚娘
張揚(yáng)灑脫的索菲亞（Olivia暫無(wú)內(nèi)容Molina暫無(wú)內(nèi)容飾）在父母的餐館里長(zhǎng)大，從小便流露出對(duì)料理的極度熱情與天賦，并不顧母親阻攔毅然放棄學(xué)業(yè)投身餐飲。身為餐廳經(jīng)理的帥小伙法蘭克（阿方索·巴薩維暫無(wú)內(nèi)容Alfonso暫無(wú)內(nèi)容Bassave暫無(wú)內(nèi)容飾）驚訝于索菲亞的料理潛能，決心要使她成為世界一流的女廚師，在美味的催化下，兩人擦出愛(ài)情火花。然而于此同時(shí)，和索菲亞一直保持穩(wěn)定關(guān)系的初戀情人東尼（帕科·萊昂暫無(wú)內(nèi)容Paco暫無(wú)內(nèi)容León暫無(wú)內(nèi)容飾）也正在鍥而不舍地向她求婚。五年時(shí)光如白駒過(guò)隙，索菲亞和丈夫東尼生了三個(gè)孩子，過(guò)著外人看來(lái)幸福富裕的生活，直到一天法蘭克再度出現(xiàn)，又重新喚醒了索菲亞內(nèi)心深處對(duì)料理的追求與愛(ài)的激情。幾番爭(zhēng)執(zhí)后，東尼終于決定支持妻子的理想，并為她買(mǎi)下了一間豪華餐廳。在三人的齊心協(xié)力下，索菲亞的料理事業(yè)如日方升，三人的關(guān)系也在食欲和情欲中完美契合，出現(xiàn)了令人意外的發(fā)展……
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暴風(fēng)雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi VernovUpon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
無(wú)依之地
弗蘭西斯·麥克多蒙德,大衛(wèi)·斯特雷澤恩,德里克·賈尼斯,泰·斯特雷澤恩,卡特·克利福德,彼得·斯皮爾斯,蓋伊·德福雷斯特,帕特里夏·格里爾,琳達(dá)·梅,安吉拉·雷耶斯,卡爾·R·休斯,道格拉斯·G·蘇爾,瑞安·阿基諾,特蕾莎·布坎南,凱莉·林恩·麥克德莫特·懷爾德,布蘭迪·威爾伯,馬克西·埃切維里,鮑勃·威爾斯,安妮特·威爾斯,瑞秋·班農(nóng),夏琳·斯旺基2008年金融危機(jī)下，美國(guó)內(nèi)華達(dá)州昂皮爾小鎮(zhèn)的重要經(jīng)濟(jì)支柱石膏廠倒閉，人去鎮(zhèn)空，這里的郵政編碼也被取消。丈夫去世后，幾乎在在昂皮爾小鎮(zhèn)度過(guò)了一生的弗恩（弗蘭西斯·麥克多蒙德飾）無(wú)力獨(dú)撐生活。為了將生活成本壓到最低，她將簡(jiǎn)陋的家當(dāng)搬上了改裝后的廂式貨車(chē)，開(kāi)始了一邊打工、一邊西行的公路生活。她在亞馬遜流水線上、在游樂(lè)園的咖啡廳里、在國(guó)家森林公園做臨時(shí)工。一路上，她和許多廂式貨車(chē)寄居者相遇、相識(shí)，彼此幫助，并締結(jié)了友誼。
731
姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,張琪,李彧,烏蘭托雅·朵,平田康之,小野巽,佐藤匠,徐光宇1945年抗戰(zhàn)勝利前夕，侵華日軍第七三一部隊(duì)在哈爾濱平房區(qū)以“給水防疫”為名，秘密進(jìn)行慘無(wú)人道的細(xì)菌戰(zhàn)研究，大肆抓捕平民進(jìn)行活體實(shí)驗(yàn)，妄圖以此扭轉(zhuǎn)敗局。小販王永章（姜武 飾）等人被強(qiáng)行抓入“特設(shè)監(jiān)獄”，日軍以“配合健康檢查與防疫研究即可換取自由”的虛偽承諾，欺騙他們?cè)馐軆鰝麑?shí)驗(yàn)、毒氣實(shí)驗(yàn)、活體解剖等極端折磨…… 影片通過(guò)平民視角揭露日軍反人類(lèi)暴行，展現(xiàn)絕境下國(guó)人不屈的反抗精神，旨在讓世人銘記歷史，勿忘國(guó)恥，捍衛(wèi)和平。
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
女孩白日夢(mèng)
鄭筠熹,尤柏耘,鄭景文,古峰畢業(yè)在即，陳莉莉這位志向成為小說(shuō)家的學(xué)生正努力克服拖延，面對(duì)現(xiàn)實(shí)與夢(mèng)想的交錯(cuò)，她能否完成自己的小說(shuō)，勇敢邁向新生活？
莫德羅監(jiān)獄1977
米蓋爾·赫爾南,哈維爾·古鐵雷斯,赫蘇斯·卡羅薩,Catalina Sopelana,費(fèi)爾南多·特赫羅,哈維·薩茲,Víctor Castilla,Alfonso Lara,I?igo de la Iglesia,伊尼戈·阿蘭布魯,Javier Lago,哈維爾·貝爾特蘭,Aimar Vega,Julián Valcárcel,Nacho Marraco1976年，一名會(huì)計(jì)師因莫須有的罪名，將面臨不公正的刑事判罰，他決心一斗到底。西班牙導(dǎo)演阿爾韋托·羅德里格斯（《千面人》）闊別6年重回大銀幕的新作，根據(jù)真實(shí)事件創(chuàng)作，于現(xiàn)已關(guān)閉的巴塞羅那莫德羅監(jiān)獄內(nèi)實(shí)景拍攝，回溯1976年弗朗哥去世后的西班牙民主過(guò)渡期。影片巧用突然驚嚇營(yíng)造驚悚氣氛，反映獄警對(duì)犯人的多種慘無(wú)人道的摧殘；藉由民憤輪番上演花式越獄，點(diǎn)燃普通人的求生之火，強(qiáng)烈抨擊國(guó)家法律體系的不公。榮獲2023年西班牙戈雅獎(jiǎng)16項(xiàng)提名，最終攬獲最佳美術(shù)指導(dǎo)等5項(xiàng)技術(shù)大獎(jiǎng)。