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拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內(nèi)勒維奇,尼娜·揚(yáng)科維奇,達(dá)妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內(nèi)納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚(yáng)·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克詭風(fēng)怪談
茱莉亞·古丹妮·泰勒斯,阿什利·祖克曼,凱特琳·杰拉德,迪倫·麥蒂平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina犯罪現(xiàn)場調(diào)查完結(jié)篇：不朽
特德·丹森,喬雅·福克斯,艾瑞克·茲曼達(dá),羅伯特·大衛(wèi)·豪爾,華萊士·朗翰,大衛(wèi)·伯曼,伊莉莎白·哈諾伊斯,喬·維爾內(nèi)爾,威廉·彼德森,瑪格·海根柏格,保羅·吉爾福伊爾,邁克爾·比奇,布瑞達(dá)·伍爾,凱蒂·史蒂文斯,Alexandra Barreto半身死靈
大島優(yōu)子,山崎真實(shí),螢雪次朗,阿部進(jìn)之介絕世好Bra
古天樂,劉青云,梁詠琪,劉嘉玲,李珊珊,青山知可子,卓韻芝,莫文蔚,谷祖琳,馮德倫,田蕊妮,譚耀文影視排行
外星+人2
柳俊烈,金泰梨,金宇彬,趙祐鎮(zhèn),李荷妮,金義城,陳善圭,廉晶雅,尹敬浩,李時(shí)勛,魏智雄導(dǎo)演崔東勛的最新“群星陣容”外星人題材科幻大片將于2020年初開機(jī)。此前因?yàn)榇_診鼻咽癌而錯(cuò)過與之合作的金宇彬有望通過該片回歸影壇，同時(shí)加盟的演員還有柳俊烈和金泰梨。 崔東勛導(dǎo)演的這部科幻新作會(huì)有外星人登場，將是一部“講述2019年在韓國生活的外星人 的故事”。據(jù)稱該片可能會(huì)同時(shí)拍攝1、2部，最近第一部的劇本初稿已經(jīng)完成，目前正在創(chuàng)作第二部劇本。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das一個(gè)花花公子搬到海濱別墅撰寫犯罪報(bào)道，在那兒他遇上一個(gè)女孩并與她墜入愛河。女孩對(duì)這段感情非常認(rèn)真，但男人只把它當(dāng)做逢場作戲。女孩有一個(gè)姐姐，她時(shí)常與其分享她的感情。然而她并不知道，她的男友與姐姐也在交往。在一次撞見他們上床交歡后，女孩徹底瘋了，決定伺機(jī)報(bào)復(fù)。
NO.1
崔宇植,張慧珍,孔升延講述了每次吃媽媽做的家常飯時(shí)都能看到倒計(jì)時(shí)數(shù)字的河玟的故事。