酒簾

評分:1.4 播放:56萬 更新:2026-05-13
主演: 陳萍 林珍奇 野峰 南宮勛 

年屆不惑的老蓋(野峰 飾)一生辛勞貧苦,為了賺錢養(yǎng)家辛苦受累,做著各種下賤工作,幾十年來卻一事無成。大女兒小紅(葛荻華 飾)嫁給海員,并育有一子,但不久丈夫因海難而死,成為寡婦;次女小艷(陳萍 飾)與一富家子弟拍拖,結果被人搞大肚子后甩掉,無奈只得帶著襁褓中的寶貝回家;小女兒小芬(林珍奇 飾)因家境貧苦,早早失學??嘤谏?,老蓋向放高利貸的龍姐,卻無力償還。在龍姐的逼迫下,老蓋開設一家娼館,三個女兒也被迫出賣肉體替父還賬。珍愛的女兒們在自己眼皮底下賣身,個中酸楚惟有老蓋一人得知。 nbsp;   光怪陸離的風月場,上演著幾多人性悲劇 hellip; hellip;   

劇情簡介

年屆不惑的老蓋(野峰 飾)一生辛勞貧苦,為了賺錢養(yǎng)家辛苦受累,做著各種下賤工作,幾十年來卻一事無成。大女兒小紅(葛荻華 飾)嫁給海員,并育有一子,但不久丈夫因海難而死,成為寡婦;次女小艷(陳萍 飾)與一富家子弟拍拖,結果被人搞大肚子后甩掉,無奈只得帶著襁褓中的寶貝回家;小女兒小芬(林珍奇 飾)因家境貧苦,早早失學。苦于生計,老蓋向放高利貸的龍姐,卻無力償還。在龍姐的逼迫下,老蓋開設一家娼館,三個女兒也被迫出賣肉體替父還賬。珍愛的女兒們在自己眼皮底下賣身,個中酸楚惟有老蓋一人得知。 nbsp;   光怪陸離的風月場,上演著幾多人性悲劇 hellip; hellip;   

為你推薦

一一

吳念真,李凱莉,金燕玲,張洋洋,蕭淑慎,尾形一成,陳希圣,林孟瑾,陳以文,柯宇綸,張育邦,柯素云,唐如韞,徐淑媛,曾心怡,陶傳正

 NJ(吳念真)是個很有原則的生意人,同妻子敏敏(金燕玲)、女兒婷婷(李凱莉)、兒子洋洋(張楊洋)以及外婆住在臺北某所普通公寓里。小舅子的一場麻煩婚禮過后,因為外婆突然中風昏迷,他迎來更加混亂的日子。敏敏公司、家里兩頭跑,時常感覺自己要被耗空;婷婷一直為外婆的中風內疚,戀愛談到中途發(fā)現(xiàn)自己不過是替代品;NJ更是麻煩重重,公司面臨破產,他又不愿放下別人眼里一文不值的自尊。一家人里,似乎只有洋洋沒有煩惱,他平靜地用照相機拍著各種人的背面,幫他們長出另一雙眼睛,然而,洋洋簡簡單單的一句話,道出更深的悲涼。

黑暗之家

Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak

  1978年的某個寒冷秋夜,迷路的希羅頓走進了一個偏僻的農場。農場主夫婦熱情地招待了這位不速之客,賓主一起喝酒聊天,談得十分投機。不料人心的貪欲引發(fā)了血的悲劇……  四年后的冬天,姆爾茲警官負責調查這起兇殺案,他和重要證人希羅頓一起前往現(xiàn)場檢證。敷衍了事的調查、嫌疑人的回想……在一片混沌之中,驚人的真相漸漸浮現(xiàn)而出……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

眠山怪影

Herbert M. Dawley

  In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.

惡戰(zhàn)2025

Alfredo Cleto Batista,Carl Bruchh?user,Holger Ebert

活到最後才有繼承權資格…背叛、猜疑和貪婪交織!一場災難性的運鈔行動後,三噸貨物運抵目的地,但所有現(xiàn)金卻不翼而飛,幫派內部一片混亂。老大身亡,死於內部背叛和謀殺,幫派的得力幹將克萊奧挺身而出,誓要揭開真相,隨著真相逐漸浮出水面,一張由背叛、猜疑和貪婪交織而成的錯綜複雜的網(wǎng)也隨之浮現(xiàn)。

機器人藝妓

木口亞矢,長谷部瞳,齋藤工,竹中直人,志垣太郎,亞紗美

  少女芳江(木口亞矢 飾)本是某藝妓館內的低等侍女,她潛心伺候身為當家藝妓的姐姐菊奴(長谷部瞳 飾),但是菊奴對她頤指氣使,絕情絕義。偶然機會,芳江過人的膂力被影野制鐵的少爺影野光(齋藤工 飾)所發(fā)掘。影野制鐵表面上是一家大型家族式鋼鐵公司,暗中則受命于國家,擔負武器的制造工作。與此同時,其創(chuàng)始人影野拳山(志垣太郎 飾)懷有不可告人的野心,他四處網(wǎng)羅人生失意的女孩,將她們訓練成美貌與殺傷力并重的藝妓殺手,甚至通過身體機械化改造來加強女孩們的實力。  懵懵懂懂的芳江與菊奴被騙進入影野制鐵,姐妹倆更被迫互相殘殺。在此過程中,她們?yōu)榱顺綄Ψ蕉粩嗉訌娪柧毢透脑?,繼而成為影野家族不可或缺的機器人殺手。然而隨著任務的進行,芳江卻漸漸發(fā)現(xiàn)親情的珍貴以及影野家族的丑惡用心……

非禮勿視2

卡恩,丹妮爾·哈麗絲,凱瑟琳·伊莎貝爾,卡吉-埃里克·埃里克森,切蘭·西蒙斯,格雷斯頓·霍爾特,李·馬賈道布,Michael Eklund,Reese Alexander,Kelly-Ruth Mercier,Lynn Colliar,Nancy Bell,克里斯蒂娜·懷道爾,Samantha Noble,史蒂文·維德勒

  某座城市的驗尸房,艾米(丹妮爾·哈麗絲 Danielle Harris 飾)行色匆匆,準備參加親朋為她準備的生日派對。而就在此時,慘無人道的大屠殺在城中另一個角落發(fā)生,九人遇害,而屠戮他們的兇手雅克布·古德奈特(Glen Jacobs 格蘭·“凱恩”·雅克布 飾)也在救護車上咽下最后一口氣。眼看派對泡湯,艾米只得和同事賽斯(卡吉-埃里克·埃里克森 Kaj-Erik Eriksen 飾)打起精神準備接收送來的尸體。而就在此時,艾米的哥哥威爾(格里斯頓·霍爾特 Greyston Holt 飾)帶著凱拉(切蘭·西蒙斯 Chelan Simmons 飾)、塔瑪拉(凱瑟琳·伊莎貝爾 Katharine Isabelle 飾)等好友潛入驗尸房,精心為妹妹準備了盛大歡快的派對?! ∧懘笸秊榈哪信畟兛v情歌舞,卻不料雅各布已悄然醒來……