何處是我家
938年1月，德國(guó)的政zhi空氣越來(lái)越緊張，一種暴雨將至的恐慌感籠罩在猶太人的心頭。沃爾特先行前往肯尼亞開(kāi)發(fā)農(nóng)場(chǎng)，并決定舉家遷往非洲避難。在祂的督促丅，妻子潔塔帶著5歲的釹兒蕾吉娜告辭家鄉(xiāng)，踏上了陌生的非洲大陸。 面對(duì)著生疏的面孔、惡劣的環(huán)境、貧瘠的土地，這一家人開(kāi)始了困難的適應(yīng)過(guò)程。原本是律師的沃爾特從頭學(xué)起治理農(nóng)場(chǎng)，而過(guò)慣奢侈日子的潔塔則不得不學(xué)會(huì)在這尚未開(kāi)化的窮鄉(xiāng)僻壤生活，繁重的體力勞動(dòng)與背井離鄉(xiāng)的憂愁令她逐漸心生怨氣，夫妻間也愈發(fā)不和。而充滿好奇的蕾吉娜卻對(duì)周圍一切新奇事物大感興趣，她迅速接受了當(dāng)?shù)氐娘L(fēng)俗習(xí)慣，與孩子們交上了朋友，生機(jī)勃勃的大草原也令她著迷。 6個(gè)月后，英國(guó)正式對(duì)德國(guó)宣戰(zhàn)，沃爾特甚至一度被關(guān)進(jìn)一所英軍營(yíng)地。在一位英國(guó)兵關(guān)懷丅，潔塔為祂弄來(lái)了一張經(jīng)營(yíng)農(nóng)場(chǎng)的許可證。蕾吉娜也進(jìn)入了當(dāng)?shù)氐挠?guó)人學(xué)校讀書(shū)。外面的世界戰(zhàn)火紛飛，這里的時(shí)間也在或平靜或不安的日子鈡流逝。祂們學(xué)會(huì)了珍惜生活，認(rèn)識(shí)到文化之間的差異，也努力尋回昔日的自硪和情感。特別是潔塔變得越來(lái)越獨(dú)立，她重新確定了自己在家庭鈡的位置。 戰(zhàn)爭(zhēng)終于結(jié)束，沃爾特得到了回法蘭克福的工作機(jī)會(huì)，然而祂卻開(kāi)始猶豫畢竟是該返鄉(xiāng)還是繼續(xù)留在非洲，尤其是蕾吉娜已經(jīng)完全融入了肯尼亞
即刻觀影
劇情賞析
編輯推薦
浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛(ài),鄧恩熙,李治良,劉西蒙,郝瀚,杜夢(mèng)涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開(kāi)啟人生困難模式，但他和家人都沒(méi)有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當(dāng)前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒(méi)準(zhǔn)真能讓他們絕地翻盤(pán)？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
巴里·林登
瑞安·奧尼爾,馬里莎·貝倫森,帕特里克·馬基,哈迪·克魯格,史蒂文·伯克夫,蓋伊·漢密爾頓,瑪麗·基恩,黛安娜·科爾納,穆雷·梅爾文,弗蘭克·米德?tīng)栺R斯,安德魯·莫瑞爾,戈弗雷·奎格利,雷納德·洛塞特,菲利普·斯通,利昂·維塔利,喬納森·塞西爾,彼得·塞利爾,杰弗里·蔡特,伯納德·赫普頓,巴里·杰克遜,沃爾夫·卡赫勒,漢斯·邁爾,費(fèi)迪·梅恩,利亞姆·雷德蒙,帕特·羅奇,多米尼克·塞維奇,約翰·夏普愛(ài)爾蘭，Redmond Barry(瑞安·奧尼爾 Ryan O'Neal 飾）從小和母親寄居在舅舅家，后來(lái)愛(ài)上了他的表姐Nora。Nora的父親卻想把她許配給一個(gè)英格蘭將軍John Quin。于是Barry向Quin提出決斗，決斗中Barry射中了Quin，誤以為將他殺 死了，匆忙逃離家鄉(xiāng)。路上他遭遇搶劫，走投無(wú)路只能加入英國(guó)軍隊(duì)。在軍隊(duì)中他才得知，其實(shí)Quin并沒(méi)有死。Barry從英軍中出逃，卻加入了普魯士軍。戰(zhàn)爭(zhēng)結(jié)束后他成了普魯士軍官Potzdorf的心腹，更讓他去監(jiān)視一個(gè)在普魯士的愛(ài)爾蘭間諜。Barry卻和這個(gè)愛(ài)爾蘭騎士惺惺相惜，愛(ài)爾蘭騎士帶他出入賭場(chǎng)，收獲頗豐。Barry覺(jué)得自己應(yīng)該找個(gè)有錢的女人，于是盯上了Lyndon爵士的夫人Lady Lyndon。Lyndon爵士病重身亡，一年后，Barry和Lady Lyndon結(jié)婚，也成了一名貴族，改名為Barry Lyndon。但Lyndon爵士和Lady Lyndon的兒子Bullingdon卻十分不喜歡Barry，Barry也預(yù)感到自己的未來(lái)將會(huì)毀于Bullingdon手中.....
魔法老師
西蒙·佩吉,凱特·貝金賽爾,羅賓·威廉姆斯,羅伯·里格爾,特瑞·吉列姆,約翰·克里斯,喬安娜·拉姆利,艾迪·伊扎德,亞歷克薩·戴維斯,艾瑞克·愛(ài)都,邁克爾·帕林,特瑞·瓊斯,羅伯特·巴瑟斯特,梅拉·沙爾,艾瑪·皮爾森,朱蒂·羅,桑吉夫·巴哈斯卡,布萊恩·考克斯,羅南·薩莫爾斯,加文·斯科特,瑪格麗塔·道爾在外星人的眼中，地球人就是供他們玩樂(lè)的消遣。一群外星人打了一個(gè)賭，賭注是地球的存亡。他們?cè)诘厍蛏想S機(jī)選了一個(gè)人，賦予他心想事成的超能力，如果這個(gè)人最終成為了貪得無(wú)厭的惡人，外星人就選擇把地球毀滅，但如果這個(gè)人依然維持著善良的本性，則意味著地球仍然有著繼續(xù)運(yùn)轉(zhuǎn)的意義。 平凡而又內(nèi)向的中學(xué)老師尼爾（西蒙·佩吉 Simon Pegg 飾）成為了這名干系到地球存亡的天選之子，在擁有了超能力后，尼爾的身邊發(fā)生了一連串有驚無(wú)險(xiǎn)令人不知該笑還是該害怕的意外。與此同時(shí)，尼爾默默愛(ài)慕的女子凱瑟琳（凱特·貝金賽爾 Kate Beckinsale 飾）也被卷入了危險(xiǎn)之中。
黑心鬼
陳友,梅艷芳,午馬,葉德嫻,莫少聰黑心鬼（午馬 飾）原是百年前的善長(zhǎng)人翁，好事做盡，卻令田地善惡不平衡，故被罰在陽(yáng)間害九名貪心之人后方可投胎；陳康泰（陳友 飾）誤放出尿壺中的黑心鬼，被贈(zèng)予三個(gè)愿望，試驗(yàn)其是否貪心之人?？堤┲苄浅剑俾?飾）替兄頂罪而被解雇，寄居兄長(zhǎng)家中，被惡嫂梅賽花（梅艷芳 飾）逼做男傭，因而邂逅女鬼梅蘭花（梅艷芳 飾），另一方面，黑心鬼限期將至，決定完成康泰最后愿望后便取其性命，康泰能否度過(guò)此劫……
死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco TinelliClaudio Nervi, an eclectic director, and Lucia Neve, a disillusioned producer, are looking for a new actress who could help them with their latest feature film, a project that is undoubtedly adrift. During a meeting with one of the most promising candidates, Stella, the girl will reveal them that the script of the movie is pretty similar to a story she knows well: the story of how she died.