即刻觀影
劇情賞析
編輯推薦
NO.1
崔宇植,張慧珍,孔升延講述了每次吃媽媽做的家常飯時都能看到倒計時數(shù)字的河玟的故事。
一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克一位父親刑滿釋放后，試圖通過帶女兒參觀大學(xué)校園來修復(fù)父女關(guān)系。然而，當(dāng)一個兇殘的邪教開始追殺他們時，兩人所要拼命守護的，早已不只是那段早已破碎的親情。
偶像大師 百萬現(xiàn)場！ ～終將，立于中央～
桐谷蝶蝶,小巖井小鳥,諏訪彩花,山崎遙,田所梓,齊藤真知子,角元明日香,愛美,仁后真耶子,高橋智秋,中村源太在MILLIONSTARS的偶像們于定期公演中閃耀綻放之際，美也收到了一封"希望能一起熱鬧學(xué)園祭"的商談?wù)埱?。與朋花、茉莉三人共同遇到的寄信人——高中二年級學(xué)生花，是美也的忠實粉絲，她一直憧憬著美也那種能以獨特步調(diào)克服困難的身姿。得知花正打算放棄組建樂隊的夢想后，美也主動提出要和她一起實現(xiàn)夢想。在共同追逐夢想的每一天里，推動兩人前進的并非花所憧憬的美也——而是美也發(fā)自內(nèi)心的真實情感。
炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費爾南多·卡約,里卡多·德巴雷羅卡洛斯在一家銀行支行當(dāng)總經(jīng)理，最近他正和妻子瑪爾塔鬧別扭。風(fēng)和日麗的一天，他送兩個孩子馬科斯和莎拉上學(xué)，卻發(fā)生了改變他人生命運的事。嶄新的汽車上莫名其妙地出現(xiàn)一部手機，一個陌生男人打來電話，號稱卡洛斯的車?yán)锉话仓昧艘活w炸彈。而恰在此時，一個神秘的黑衣摩的男尾隨而至。這是一個惡作劇，還是真實的綁架勒索？事情的緣起何故，卡洛斯一家命運又該如何？這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動魄……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
137號案件
蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達,戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森「為什么大家討厭警察？」男孩詢問母親。身為警察的史黛芬妮，負(fù)責(zé)的卻是警察暴力與失職案件調(diào)查。2018年，一名青年隨親友來到巴黎參與街頭抗議，卻因警方開槍，導(dǎo)致永久性腦部損傷。家人提出指控，警方卻矢口否認(rèn)，關(guān)鍵證據(jù)亦是不足。內(nèi)外壓力夾攻之下，史黛芬妮仍奮力調(diào)查，調(diào)閱攝像頭比對、還原警員動線，越逼近真相之際，同僚的敵意也越發(fā)強烈??