劇情簡(jiǎn)介
湯姆試圖說(shuō)服他的妻子參加他們的色情游戲。誘惑性自由似乎太多她。色情生產(chǎn)博卡垃圾桶。超越線和地平線的字符之間。
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炫舞我人生
董維恩,陳樂(lè)添,杜梵,李純洱幾個(gè)年輕時(shí)懷揣街舞夢(mèng)想的青年，多年后經(jīng)歷了人去人走、世故變遷，懷著對(duì)朋友的懷念，懷著對(duì)未來(lái)的憧憬，又重拾了自己年輕時(shí)的夢(mèng)想，用舞蹈詮釋了人生態(tài)度……
甜蜜與卑微
西恩·潘,薩曼莎·莫頓,Dan Moran,烏瑪·瑟曼,Brian Markinson故事發(fā)生在20世紀(jì)的30年代，雷（西恩·潘 Sean Penn 飾）是當(dāng)時(shí)紅極一時(shí)的爵士樂(lè)傳奇人物。由于早年生活困頓，成名后雷養(yǎng)成了揮金如土的惡習(xí)，壓抑許久的他放縱自己迷失在由金錢(qián)和美女組成的奢侈世界里。 一位名叫海蒂（薩曼莎·莫頓 Samantha Morton 飾）的普通洗衣女工深深的愛(ài)上了雷，愿意為雷付出一切，而雷亦對(duì)單純的海蒂抱有好感?？墒牵藭r(shí)的雷并不想過(guò)早的走入安定的家庭生活，更何況，雷可是一位藝術(shù)家啊，對(duì)于藝術(shù)家來(lái)說(shuō)，婚姻難道不正是靈感的墳?zāi)箚?？就這樣，雷和海蒂漸行漸遠(yuǎn)。之后，雷娶了性感妖嬈的作家布蘭奇（烏瑪·瑟曼 Uma Thurman 飾），卻發(fā)現(xiàn)布蘭奇是比自己還要放浪形骸的“交際花”。直到此時(shí)，雷才想起了海蒂的好，可是雷沒(méi)有把握，這個(gè)單純可愛(ài)的女孩如今還會(huì)一如既往的包容他，接納他嗎？
最后幸存者
德魯·凡·阿克爾,艾麗西亞·希爾維斯通,史蒂芬·莫耶,馬克·法姆吉列蒂,本杰明·亞瑟,Akaash Yadav,Simon LeesThe pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.
犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛(ài)麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛(wèi)·T·林,亞當(dāng)·比奇,Ramontay McConnell,Max Mata,Ken Radley富有魅力的牧場(chǎng)主菲爾·伯班克（本尼迪克特·康伯巴奇 飾）讓他周圍的人又敬又怕。當(dāng)他的兄弟將新婚妻子以及她的兒子帶回家時(shí)，菲爾百般折磨他們，直到有一天，他發(fā)現(xiàn)自己對(duì)愛(ài)也存有一絲渴望。
遁入虛無(wú)
內(nèi)森奈爾·布朗,帕茲·德拉維爾塔,Cyril Roy,Olly Alexander,Masato Tanno,Ed Spear,Emily Alyn Lind,Jesse Kuhn,Nobu Imai一場(chǎng)車禍奪去了父母的性命，年幼的奧斯卡和妹妹琳達(dá)發(fā)誓永不分開(kāi)。成年后，奧斯卡（Nathaniel Brown 飾）漂泊來(lái)至東京，為了實(shí)現(xiàn)童年的誓言，他以兜售毒品賺取錢(qián)財(cái)，終于為琳達(dá)（Paz de la Huerta 飾）掙得了飛來(lái)東京的機(jī)票。兄妹相遇，卻終是隨波逐流的個(gè)體。在這個(gè)繁花亂墜迷人眼的大都會(huì)，奧斯卡繼續(xù)進(jìn)行毒品交易，而琳達(dá)則在一家夜總會(huì)大跳艷舞。在一次交易時(shí)，奧斯卡遭到警察圍捕，混亂中更被槍擊身亡。他的意識(shí)漸漸脫離肉體，穿梭在東京的大街小巷，關(guān)注跟隨每一個(gè)在他生命中留下痕跡的人，等待著下一場(chǎng)不知何時(shí)才會(huì)開(kāi)始的輪回…… 本片榮獲2009年Sitges – Catalonian國(guó)際電影節(jié)最佳攝影獎(jiǎng)和評(píng)委會(huì)特別獎(jiǎng)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
牙仙
道恩·強(qiáng)森,艾什莉·賈德,斯戴芬·莫昌特,瑞恩·謝克勒,塞思·麥克法蘭,朱莉·安德魯斯,切斯·埃利森,黛斯特妮·惠特洛克,布蘭登·T·杰克遜,Dan Joffre,埃莉·哈維,巴克萊·霍普,邁克爾·登杰菲爾德,Dale Wolfe,Josh Emerson身形健碩的德里克·湯普森（巨石·強(qiáng)森 Dwayne Johnson 飾）是一個(gè)作風(fēng)粗暴的職業(yè)冰球手，由于經(jīng)常打掉別人的牙齒，因此他在場(chǎng)上得了“牙仙”的綽號(hào)。正所謂風(fēng)云變幻，時(shí)代更迭，隨著才俊新秀的涌現(xiàn)，德里克也漸漸成為一名過(guò)氣的板凳選手。狂放自負(fù)的他必定心情極度失落，故而經(jīng)常用冰冷的語(yǔ)言打碎別人的夢(mèng)想。 德里克的女友卡莉（艾什莉·賈德 Ashley Judd 飾）有一雙可愛(ài)的兒女，小女兒剛好處在換牙期，對(duì)神秘的牙仙還充滿遐想。此時(shí)德里克的老毛病又犯了，一心希望向女孩講述牙仙并不存在的真相。他的粗暴做法惹來(lái)了麻煩，牙仙大陸的負(fù)責(zé)人莉莉（朱麗·安德魯斯 Julie Andrews 飾）將他變?yōu)橐粋€(gè)身長(zhǎng)翅膀、手持魔杖、衣著短裙的牙仙女，在接下來(lái)的兩周里，他將被迫以這身裝扮為孩子們帶去祝?！?/p>