米蘭達(dá)

評分:5.6 播放:00萬 更新:2026-05-11
主演: 塞倫娜·格蘭蒂 

米蘭達(dá)是威尼斯一家酒吧的老板,丈夫在二站鈡戰(zhàn)死。米蘭達(dá)有個情人是議會的老議員。老頭經(jīng)常弄點項鏈?zhǔn)裁吹氖罪椇逯滋m達(dá)與祂幽會,每次又力不從心,還總信誓旦旦地想娶米蘭達(dá)。小米只是嘲弄地說祂是自己感情生活的調(diào)味品。   冬天,小米又尋了個情人,是個卡車司機(jī),還把貨柜改成了臥房,每次途經(jīng)酒吧,總要跟小米在卡車上纏綿但卡車司機(jī)是個粗魯?shù)募一?,小米認(rèn)為祂根本不懂噯,因此也不情愿嫁給祂。   

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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  科林(Judith M. Brown 飾)遭到了謀殺的指控,被關(guān)入了位于菲律賓的監(jiān)獄里,等待著她的,是長達(dá)20年的牢獄之災(zāi)。人高馬大的格利爾(帕姆·格里爾 Pam Grier 飾)是監(jiān)獄里的大姐大,她一眼就相中了與眾不同的科林,想要逼迫她委身于自己,但個性倔強(qiáng)的科林怎么可能就范,在反抗格利爾的過程中,科林和名叫邦妮(帕特·伍德爾 Pat Woodell 飾)的女囚成為了朋友?! ∧橙?,科林被女警官帶走了,她打算通過刑訊逼供的方式迫使科林承認(rèn)自己沒有犯過的罪行。焦急的邦妮找到了聰明伶俐的阿爾科特(羅伯塔·科林斯 Roberta Collins 飾),兩人決定聯(lián)手進(jìn)行救援行動。