即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偉大的覺醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
奉魔之名
索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich正值青春期的少女艾瑪（蘇菲·瓦瓦希爾 Sophie Vavasseur 飾）因小事與父母發(fā)生爭吵，繼而用玻璃碎片割破自己的手掌。在此之后，父母子女的關(guān)系雖有所松動，但是新的危機已悄悄展開。艾瑪是不是會做出些奇怪的舉止，這令父母異常擔心，于是只得將艾瑪留在家中接受教育。期間他們嘗試帶女兒去看具有催眠本領(lǐng)的心理醫(yī)生，誰知醫(yī)生最終猝死艾瑪?shù)南ド?。艾瑪自感自己已被魔鬼附體，因此不顧崇尚科學的父母的反對，執(zhí)意求助于因驅(qū)魔失敗而被革除神職的舅舅基斯（道·布萊德利 Doug Bradley 飾）。 基斯似乎漸漸證實了艾瑪?shù)牟聹y，而她體內(nèi)那股邪惡的力量也變得越來越強大……
再會亡靈
雷娜特·賴因斯夫,安德斯·丹尼爾森·李,巴哈·帕斯,比約恩·桑德奎斯特,揚·海恩凱維奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen在一個異常炎熱的日子里，三個不同的家庭發(fā)現(xiàn)了一個奇怪的秘密——他們剛剛死去的親人又回來了。他們不知道該怎么辦——這些不是毫無意識的僵尸，而是完全不同的東西。但究竟是什么呢？
加美拉對大惡獸吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,濱田優(yōu)子,船越英二冒険好きな二人の少年が、宇宙船に閉じ込められ第十惑星に連れ去られ、宇宙人に食べられそうになる。そこにガメラが現(xiàn)れて二人を救う。宇宙人はギロンをけしかけるが、ガメラの敵ではなかった。第3作に登場したギャオスが再登場するが、ギロンにあっさりやられてしまう。
榮歸1978
簡·方達,喬恩·沃伊特,布魯斯·鄧恩,佩內(nèi)洛普·米爾福,羅伯特·卡拉丁,羅伯特·金蒂,凱瑟琳·米勒戰(zhàn)爭結(jié)束了，但留下的悲劇從來都不會就此斷絕。在位于美國加州的一家傷兵醫(yī)院里，盧克（強·沃特 Jon Voight 飾）痛苦的躺在病床上。戰(zhàn)爭徹底的奪走了他剩余人生里的幸福和自由，半身不遂的他注定再也享受不到生為一個正常人的快樂了。因為種種，盧克每天都生活在抑郁和憤怒之中。莎莉（簡·方達 Jane Fonda 飾）的丈夫鮑勃（布魯斯·鄧恩 Bruce Dern 飾）是一名軍官。身為軍官之妻，莎莉有義務對在戰(zhàn)爭中遭難的軍人們進行安撫。就這樣，莎莉邂逅了盧克，并且在時間的推移之中深深的愛上了他。為了給予盧克繼續(xù)活下去的希望，她不惜用自己的身體去引誘盧克。