劇情簡介
不忍母親為了替沉迷於賭博的父親還債務(wù)而四處奔波，準(zhǔn)人提出以經(jīng)營寄宿家庭方式收取租金，介紹了準(zhǔn)備來東京工作的前輩阿和來到家裡幫忙。然而，阿和每天看著為了債務(wù)問題煩悶的友人媽媽，他的憐憫之心竟然漸漸轉(zhuǎn)變成了濃厚的愛意?海外福利影院
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歲歲平安
劉威葳,段奧娟,蔡沅江,趙虎,楊陽,張?zhí)?/span>暴雨將至，轟隆隆的聲音夾雜著人群的呼喊聲砸向操場，正在參加小學(xué)田徑比賽的唐平安重重的摔倒在地面，當(dāng)母親李枚趕到醫(yī)院時(shí)，醫(yī)生卻給了再生一個(gè)孩子做骨髓移植的建議，李枚怔怔的站在深不見底的樓道，像是對(duì)她過去十幾年最好的懲罰，故事從這里開始。十幾年前，李枚在計(jì)劃生育政策下為了生二胎，不得不將襁褓中的女兒歲歲遠(yuǎn)送他鄉(xiāng)親戚，不料幾年后，漸漸成熟的歲歲卻成了猥瑣養(yǎng)父趁女兒洗澡時(shí)偷偷窺視的對(duì)象，看上去多余的歲歲在一次爭吵后離家出走，流浪的女孩卻遇到了新的“父親”劉建凱，一個(gè)住在船上打漁為生的男人，以父女相稱，看起來生活就這么好起來了。幾年后，突然一個(gè)陌生的女人闖入歲歲的生活，自稱姑媽。其實(shí)是李枚兒子平安突發(fā)白血病以后，他們想起了被自己拋棄的女兒，通過當(dāng)年的一絲聯(lián)系，輾轉(zhuǎn)找到了女兒歲歲，這是這個(gè)家庭唯一的希望。只是女兒歲歲似乎早已經(jīng)知道了真相，他們互為朋友，互相試探，互相利用，最終他們都要回家，可是歲歲的家到底在哪里？
詛咒：納扎爾
Alp Aras,El?in Atamgü?,Melike Bal?ik
偶像大師 百萬現(xiàn)場！ ～終將，立于中央～
桐谷蝶蝶,小巖井小鳥,諏訪彩花,山崎遙,田所梓,齊藤真知子,角元明日香,愛美,仁后真耶子,高橋智秋,中村源太在MILLIONSTARS的偶像們于定期公演中閃耀綻放之際，美也收到了一封"希望能一起熱鬧學(xué)園祭"的商談?wù)埱?。與朋花、茉莉三人共同遇到的寄信人——高中二年級(jí)學(xué)生花，是美也的忠實(shí)粉絲，她一直憧憬著美也那種能以獨(dú)特步調(diào)克服困難的身姿。得知花正打算放棄組建樂隊(duì)的夢想后，美也主動(dòng)提出要和她一起實(shí)現(xiàn)夢想。在共同追逐夢想的每一天里，推動(dòng)兩人前進(jìn)的并非花所憧憬的美也——而是美也發(fā)自內(nèi)心的真實(shí)情感。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
祖魯
奧蘭多·布魯姆,福里斯特·惠特克阿里（福里斯特·惠特克 Forest Whitaker 飾）和母親是從曾經(jīng)慘絕人寰的種族屠殺中幸免于難的幸存者，雖然如今的他已然出人頭地成為了開普敦警局重案組的負(fù)責(zé)人，但兒時(shí)充滿了血腥和恐懼的回憶依然沉淀在他的內(nèi)心之中，陰影揮之不去。 布萊恩（奧蘭多·布魯姆 Orlando Bloom 飾）是阿里的下屬，他的家族成員曾經(jīng)是種族隔離活動(dòng)中的激進(jìn)分子，不過這并沒能夠影響到他和阿里之間的信任和友誼。一連串兇殺案的發(fā)生和一種新型毒品的出現(xiàn)將城市推到了風(fēng)口浪尖，直到這時(shí)，肩負(fù)著巨大壓力的阿里才發(fā)現(xiàn)，那些他以為已經(jīng)成為過去的事情，其實(shí)并沒有真正的過去，也永遠(yuǎn)都不會(huì)過去。
加美拉對(duì)大惡獸吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,濱田優(yōu)子,船越英二冒険好きな二人の少年が、宇宙船に閉じ込められ第十惑星に連れ去られ、宇宙人に食べられそうになる。そこにガメラが現(xiàn)れて二人を救う。宇宙人はギロンをけしかけるが、ガメラの敵ではなかった。第3作に登場したギャオスが再登場するが、ギロンにあっさりやられてしまう。
三聲再見
阿爾芭·羅爾瓦赫爾,埃利奧·杰曼諾,弗朗切斯科·卡里爾,西爾維婭·達(dá)米科,加拉泰亞·貝露琪,薩莉塔·喬德霍里,洛倫佐·特倫齊,索菲婭·德利婭,斯蒂法諾·布拉奇,彼得羅·斯帕沃利,孫克古·鄭,馬泰奧·卡洛馬尼奧,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰瑪,亞歷山德羅·洛·卡塞托,科西莫·德西伊,特奧多羅·吉安班科,朱利婭·瓦倫蒂,托馬索·阿爾納爾迪歲月無聲，平淡如水。因小事吵鬧令多年戀情告終，她復(fù)要面對(duì)身體突如其來的噩耗。有恨無人省，心底的哀傷、焦慮與寂寞，只能獨(dú)對(duì)在街角檢拾回來的紙板韓星，輕聲傾訴。夕陽余暉，仿佛驟然點(diǎn)亮了尋常忽略的景致，令她重新感悟人間的和煦。 西班牙導(dǎo)演伊莎貝拉庫謝以優(yōu)雅與溫柔，將小說家麥可娜·穆爾嘉的遺作化為翩翩光影，凝留于艾芭諾宜娃查倩影麗容，是一闋寛懷的生命詩篇；在最后的時(shí)光，與人生、與凡塵好好告別，讓放下自在的微光，溫潤世上所愛之人。