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給阿嬤的情書
李思潼,王彥桐,吳少卿,鄭潤奇,王曉慧,趙曙光,李德如,李樹浩,烏薩·薩梅坎姆,方培松奇逢敵手
舒淇,安志杰,任達華,黃卓玲,林雪,黃浩然,許紹雄,吳大維,杜汶澤,田蕊妮約定2024
片岡千之助,北香那,望海風斗,山口紗彌加,春海四方,藤田朋子,淺野和之,余貴美子,武田鐵矢,風吹淳,橋爪功一個星期三的下午
Anupam Kher,Naseeruddin Shah13個日夜
羅什迪·澤姆,琳娜·庫德里,西瑟·巴比特·科努德森,克里斯托弗·蒙特內茲,伊安·蒂阿爾,法蒂瑪·埃多姆,肖艾布·賽義德,賽義德·哈希米,本杰明·??烁隊?西納·帕瓦內赫,路易吉·克勒納,尼可拉斯·布里代,雅典娜·史催特,埃納爾·哈拉爾松,埃文特·斯特朗,汗·布爾汗,奧馬爾·達納亞,讓·克洛德·穆阿卡春閨風月
艾琳·鄧恩,加里·格蘭特,拉爾夫·貝拉米,亞歷山大·達西,塞茜爾·坎寧安,莫莉·拉蒙特,喬伊斯·康普頓,羅伯特·沃里克,瑪麗·福布斯,Esther Dale,Robert Allen同類精選
大家的歌
白濱亞嵐,片寄涼太,小森隼,佐野玲於,關口Mandy,中務裕太,數(shù)原龍友,早見明里,槙田雄司,穂紫朋子,天野花奈,山川真里果皮皮魯和魯西西之309暗室
黃爽,劉蕊,李昕恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney Fulk靈異隧道實錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克暗金丑島君:完結篇
山田孝之,綾野剛,永山絢斗,真飛圣,間宮祥太朗,海,最上摩卡,真野惠里菜,仲野太賀,狩野見恭兵,湊莉久,天使萌,槙田雄司,玉城蒂娜,六角精兒,茂呂師岡,安藤政信,八島智人,高橋瑪莉潤,崎本大海,矢部享佑陰陽眼見子2025
原菜乃華,久間田琳加,奈葉,山下幸輝,堀田茜,吉井憐,高岡早紀,京本大我,瀧藤賢一影視排行
黑暗崛起
卡特麗娜·洛,拜斯·約翰遜,希瑟·馬祖爾,邁克·沃特福德,Christian GaniereNearly murdered as a child by her mother, a woman (Katrina Law) returns to the house where her mom went mad.
金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩鈉,袁富華,林燕玲在十年前的拳擊界,張力(張繼聰 飾)是如日中天的「金童」,卻因一場意外失去了自由。十年后,他刑滿出獄,遇上他從未見面的親生兒子方圓。為了得到方圓母親的遺產,需要與方圓一起生活。張力面臨生活困境與情感糾葛,令他的生活再次翻轉。在父子間的矛盾與和解中,張力逐漸找到自己的使命,面對過去在擂臺上的陰影,決意再次重拾拳擊夢想,并努力成為兒子的榜樣...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
真犯
宋清晨,柳善,張赫鎮(zhèn),吳珉錫,鄭海鈞,韓秀妍,鄭熙泰,申賢德,尹頌雅,張英,俊賢淑講述的是受害者林宥貞的丈夫李英勛(宋清晨 飾)與嫌疑人金俊成的妻子鄭多妍(柳善 飾)在最后一場判決前隱藏著對彼此的懷疑為找出真相而攜手合作的故事。