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關(guān)于我轉(zhuǎn)生變成史萊姆這檔事蒼海之淚篇
堂本光一正義聯(lián)盟:無限地球危機(上)
馬特·波莫,詹森·阿克斯,達倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當(dāng)斯,艾克·阿瑪?shù)?吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達達里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛(wèi)·卡耶,阿什莉·拉特羅普,馬特·蘭特爾交響詩篇超進化2
鋼鐵少女:決戰(zhàn)
明日花綺羅,青柳尊哉,龍坐,ハヤテ,春田純一奪命微笑2
娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達芙妮·澤利,邁爾斯·古鐵雷斯-賴?yán)?Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila Robins同類推薦
別開門
徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀(jì),李昕芮,王昌,熊競宇云南某小鎮(zhèn)上的一家客棧,浪蕩不羈的老板楊浩(曲少石 飾)與女服務(wù)員鬧鬧(曹蕾 飾)有染,還想方設(shè)法勾搭實習(xí)女服務(wù)生曉菲(徐立 飾)。柳經(jīng)理看在眼里,忍氣吞聲。這一天,楊浩的發(fā)小蹦燈兒(李鶴楠 飾)海外留學(xué)歸來。兩個好朋友一個德行,都有著輕浮虛化的言行。為了給好友接風(fēng),楊浩召集柳經(jīng)理、曉菲、鬧鬧、后廚的仙爺、華子、小胖等人大擺筵席。夜深人靜,安靜的小院內(nèi)響起了陰冷清脆的高跟鞋聲,接著一個披頭散發(fā)的女人影影綽綽出現(xiàn)在各個角落?! ⌒膽压硖サ膫€人,將經(jīng)歷最恐怖的一夜……
毛骨悚然撞鬼經(jīng) 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉S銅山的女人:失意的保險公司業(yè)務(wù)員山邊夏美(石原里美 飾)和同僚桑原(小池徹平 飾)在歸途中誤入被封閉多年的S銅礦山,由此遭遇了一連串恐怖的詭異事件;小智:被情感困擾的女孩里奈(剛力彩芽 飾)按照都市傳說給自己的手機打了電話,并連念三遍“小智”,希望解開心中疑惑,誰知此后卻被小智纏上;兇手是誰:看似陰沉的派遣職員熊谷(北乃紀(jì)伊 飾)自稱能夠看到別人看不到的真相,她的上司三澤健太(草剪剛 飾)起初并不相信,但接連的事實讓他大為震驚;誘惑的森林:小葵(島崎遙香 飾)和朋友結(jié)菜(廣瀨愛麗絲 飾)去山里游玩,山中一間老舊的廁所卻帶給她們最恐怖的回憶;把手給我:勤奮的OL瀧本理沙(桐谷美玲 飾)不知何時與同學(xué)兼同事的好友雅美(菜菜緒 飾)關(guān)系變差,壓力巨大的她發(fā)現(xiàn)每晚都有一只手緊緊抓住她的胳膊;出租車司機的自述:老實的出租車司機中川(坂上忍 飾)在晚上載了一位要去很遠地方的女客人,但是這位客人竟是如此沉默;黑暗中的視覺:人過中年的森川千尋(黑木瞳 飾)在一家工廠找到工作,擁有天眼的她看到了許多的鬼魂。
懸案密碼2:野雞殺手
尼古拉·雷·卡斯,法瑞斯·法瑞斯,莎拉-索菲·波斯妮娜,Beate Bille幾十年前,一對年幼的兄妹在自家的小屋里慘遭殺害,唯一可能犯案的,是當(dāng)時在那里度假的寄宿學(xué)生,然而,因為證據(jù)不足,最終這群學(xué)生們未能被定罪,小屋案成為了未破的懸案,而當(dāng)年負責(zé)此案件的警探卡爾(尼古拉·雷·卡斯 Nikolaj Lie Kaas 飾)也因此一蹶不振,這宗疑點重重的案件成為了他的一塊心病?! ∫换窝蹘资赀^去,當(dāng)年的寄宿學(xué)生們已經(jīng)長大成人,活躍在上流社會之中,雖然他們衣冠楚楚風(fēng)度翩翩,但實際上,他們扭曲的心靈早就令這些人成為了野獸,唯有在殺戮中才能獲得快感。當(dāng)卡爾重拾曾經(jīng)的懸案之時,危險也在一步一步的接近著他和他的家人們。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
復(fù)仇之溪
多米尼克·珀塞爾,亨利·卡維爾,邁克爾·法斯賓德,Emma Booth20世紀(jì)30年代,戰(zhàn)爭的幽靈盤桓世界上空。納粹相信妖術(shù)可以幫助他們邁向勝利,于是派出手下四處尋找便捷的“治世良方”。1936年,在美國西弗吉尼亞的一個偏僻鄉(xiāng)村復(fù)仇溪,誠實善良的沃爾納一家迎來一名不速之客。隸屬于北美地區(qū)德國遺產(chǎn)學(xué)術(shù)委員會的理查德·沃斯博士(Michael Fassbender 飾)來到這里,借住在沃爾納家。一家人雖然心有惴惴,不過看在錢的份上欣然接納沃斯博士,并對其表現(xiàn)出誠摯的熱情,卻不曾想對方帶來了難以置信的災(zāi)難?! ?007年,警察伊萬·馬歇爾(Henry Cavill 飾)生活正陷入困境。他的哥哥維克多(Dominic Purcell 飾)一度消失。當(dāng)他以為兄長已死時,維克多卻突然出現(xiàn),帶著弟弟來到復(fù)仇溪。維克多究竟經(jīng)歷了怎樣的磨難?這與30年代沃爾納一家的遭遇又有什么關(guān)聯(lián)?