Jose與虎與魚(yú)們

評(píng)分：5.6 播放：44萬(wàn) 更新：2026-05-12

某個(gè)清晨的街道，一個(gè)老婆婆失手讓推著的嬰兒車從斜坡滾下，這時(shí)，麻將館收工的恒夫（妻夫木聡飾）恰好路過(guò)，他上前查看，驚訝地發(fā)現(xiàn)嬰兒車?yán)锞谷挥袀€(gè)年紀(jì)不小的女孩子（池脇千鶴飾）！ nbsp; 　　原來(lái)，女孩子是老婆婆的孫女，從小雙腿殘疾，婆婆覺(jué)得丟人，就把她藏在家里，只在清早帶她出去散心。令恒夫驚訝的是，這個(gè)女孩子的身上不僅沒(méi)有流露脆弱或自卑，反而有些特別的地方：她燒得一手好菜，她讀各種各樣從垃圾里撿回的書(shū)，她自己給自己取名叫Jozee，她想著從黑市買Tokarev手槍自衛(wèi)，和恒夫出去逛街時(shí)，她無(wú)比眷戀地說(shuō)想把天空的云彩帶回家?！‰m然恒夫已經(jīng)有了女朋友（上野樹(shù)里飾），他還是不知不覺(jué)被Jozee吸引過(guò)去　　

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家族秘密2025

金惠恩,金范來(lái),金寶侖

隨著妍靜突然宣布重返職場(chǎng)，                                                                      　　她們發(fā)現(xiàn)自己離家的時(shí)間明顯增多。                                                                      　　之前一直疏遠(yuǎn)她心愛(ài)的鋼琴的米娜，                                                                      　　開(kāi)始回避家人。                                                                      　　之前一直回避運(yùn)動(dòng)的鎮(zhèn)秀，突然每個(gè)假期都離家去鍛煉。                                                                      　　隨著秘密越積越多，溝通也變得支離破碎，                                                                      　　三人變得疏遠(yuǎn)卻又親近。                                                                      　　然后，有一天，一次偶然的相遇，                                                                      　　將妍靜、米娜和鎮(zhèn)秀的秘密串聯(lián)了起來(lái)……                                                                      　　噓！當(dāng)你打開(kāi)這扇秘密之門，                                                                      　　一個(gè)非常特別（？）的家庭故事就此展開(kāi)！

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

亂馬OVA特別篇無(wú)差別格斗對(duì)鳳凰

山口勝平,林原惠美,日高范子,高山南,井上喜久子

 腦子缺根弦兒的九能帶刀（鈴置洋孝 飾）路過(guò)邪馬臺(tái)古董店，在店內(nèi)看到了極為珍貴的鳳凰蛋。傳說(shuō)只要擁有這枚蛋，便可領(lǐng)會(huì)到威力無(wú)比的魔劍鳳凰劍。為了打敗宿敵亂馬（山口勝平 飾），成為至高無(wú)上的強(qiáng)者，九能強(qiáng)買下鳳凰蛋。不過(guò)店主（北村弘一 飾）叮囑，無(wú)論如何千萬(wàn)不能將蛋放在頭頂，否則將由可怕的事情發(fā)生。不幸的是，亂馬無(wú)意中將蛋放在了九能的頭上，一只長(zhǎng)相奇怪的鳥(niǎo)兒誕生了。它幫助九能成為足以打敗任何對(duì)手的強(qiáng)者。爭(zhēng)強(qiáng)好勝的亂馬無(wú)論如何都要挽回面子……本片根據(jù)高橋留美子的漫畫(huà)《亂馬1/2》改編，系該動(dòng)畫(huà)的劇場(chǎng)版第3部。

健聽(tīng)女孩

艾米莉亞·瓊斯,特洛伊·科特蘇爾,瑪麗·瑪特琳,丹尼爾·杜蘭特,歐赫尼奧·德?tīng)柧S斯,福迪亞·瓦爾什-匹羅,艾米·福賽思,凱文·查普曼,約翰·菲奧里,朗尼·法默,科特蘭·瓊斯,莫莉·貝絲·托馬斯,阿雅娜·布朗,杰森·普加奇,基亞娜·法內(nèi),安尼莉·利斯特,史蒂芬·卡利斯坎,何塞·岡斯·阿爾維斯,歐文·伯克,梅利莎·麥克米金,埃里卡·麥克德莫特,瑪麗·安·紹布,莎拉·克拉克,大衛(wèi)·紐森,大衛(wèi)·布肯德?tīng)?理查德·錢德勒,羅布·勒維克,琪拉·皮查多

 美麗的高中女孩露比·羅西（艾米莉亞·瓊斯 Emilia Jones 飾）出生于一個(gè)極不尋常的漁民家庭，她的父母和哥哥天生聾啞，只能通過(guò)手語(yǔ)交流。而健康無(wú)恙的露比既是幸運(yùn)的，卻也是不幸的。她擔(dān)任了家人和外界交流溝通的橋梁，為此承受了諸多的歧視和嘲笑。這期間，只有好閨蜜戈蒂（艾米·福賽思 Amy Forsyth 飾）是她最堅(jiān)定的支撐。因?yàn)橄矚g男孩邁爾斯（福迪亞·瓦爾什-匹羅 Ferdia Walsh-Peelo 飾），露比報(bào)名參加校合唱團(tuán)，而天資穎悟的很快得到了負(fù)責(zé)老師的賞識(shí)。在此之后，露比頻繁奔波于合唱團(tuán)和家族之間，她渴望前往伯克利追求音樂(lè)夢(mèng)想，而這勢(shì)必要和對(duì)她無(wú)比依賴的原生家庭分隔兩地。露比為此深深焦慮……本片根據(jù)真實(shí)事件改編。