契約結(jié)婚
ホームレスの亜希(小田飛鳥)と理恵(さくらゆら)は、移動キャバクラと稱して、街の男に聲をかけては飲み屋に誘い、小遣いを貰ってその日を暮らすという気ままな生活を続けていた。いっぽう、韓國から夢を抱いて日本に來た青年?ジンイル(チェ?ミンホ)は、不法滯在で追われる身となっていた。ジンイルは胡散臭い行政書士?佐伯(金すんら)に助けを求める。特別在留許可を貰うための偽裝結(jié)婚を企てた佐伯は、その話を亜希たちへと持ち掛ける。金がない二人は住む場所を得られると話にのり、亜紀(jì)が結(jié)婚に応じることになった。三人は奇妙な共同生活を始め、亜希とジンイルは少しずつ距離を縮めていくが…
在線看
同款熱播
蹂躪
布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.
姐妹董事會
蕾切爾·蕾·庫克,丹妮拉·莫奈,列奧尼達(dá)斯·古拉普蒂斯公司高管梅根成立了一個董事會，以改善她妹妹混亂的生活，并與一位心理學(xué)教授墜入愛河，后者發(fā)現(xiàn)了她強硬的舉止。
一個拳手
王一鳴,任珅,梁國榮拳擊手大卓因意外受傷告別了擂臺，在小區(qū)當(dāng)了一個保安。在照顧患有癡呆癥父親的過程中，大卓漸漸理解了父親多年來對他的愛，父子間童年時的心結(jié)被解開。為彌補父親曾經(jīng)的遺憾，大卓重拾信心，再一次站到了擂臺之上。
刺透
克里斯托弗·阿波特,米婭·華希科沃斯卡,萊婭·柯絲達(dá),奧利維亞·邦德,瑪麗亞·迪齊亞,馬琳·愛爾蘭,達(dá)科塔·盧斯提克,維德爾·皮爾斯該片故事講述一名變態(tài)殺手（克里斯托弗·阿波特 飾）計劃在酒店招妓（米婭·華?？莆炙箍?飾），并將其謀殺。然而他計劃卻失敗了。
約瑟夫·門格勒的消失
奧古斯特·迪赫,達(dá)娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內(nèi)德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci本片聚焦臭名昭著的納粹醫(yī)生約瑟夫·門格勒的逃亡軌跡，從巴拉圭的藏身之所到最終遁入巴西叢林深處，再現(xiàn)這名"死亡天使"流亡南美的隱秘歲月。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster