農(nóng)場(chǎng)主的女兒們

諜殺風(fēng)暴

四名前西班牙特工在全球不同地點(diǎn)同時(shí)遇刺。西班牙國(guó)家情報(bào)中心發(fā)現(xiàn)，數(shù)十年前他們都在哥倫比亞參與了秘密的謝納加行動(dòng)。西班牙國(guó)家情報(bào)中心最出色的特工澤塔必須追查并保護(hù)唯一的幸存者，這將是他迄今為止最危險(xiǎn)的全球任務(wù)。哥倫比亞頂級(jí)特工阿爾法將與澤塔并肩行動(dòng)，而她似乎比他更了解謝納加行動(dòng)背后的秘密。

邪惡校園

　　艾美從又濕又冷的浴缸裡驚醒，發(fā)現(xiàn)自己似乎被軟禁在一所廢棄的學(xué)校。身邊一片漆黑又恐怖，斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間，只能與腦中想法相依。身為一名醫(yī)生，同時(shí)也是妻子和悲傷的母親，始終無法認(rèn)清兒子因?yàn)橐馔庖验L(zhǎng)眠的事實(shí)，並認(rèn)為兒子也被困在學(xué)校裡面。在這充滿敵意、超自然煉獄般的學(xué)校，深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學(xué)校」的規(guī)則，隨著艾美遇到住在「學(xué)?！沟目植佬皭荷铮钊宋窇值某匀涣α颗c內(nèi)心恐懼接踵而至，到底她對(duì)抗的是這些恐怖的生物，還是自己的心魔呢?

大佛回國(guó)

家族秘密2025

隨著妍靜突然宣布重返職場(chǎng)，                                                                      　　她們發(fā)現(xiàn)自己離家的時(shí)間明顯增多。                                                                      　　之前一直疏遠(yuǎn)她心愛的鋼琴的米娜，                                                                      　　開始回避家人。                                                                      　　之前一直回避運(yùn)動(dòng)的鎮(zhèn)秀，突然每個(gè)假期都離家去鍛煉。                                                                      　　隨著秘密越積越多，溝通也變得支離破碎，                                                                      　　三人變得疏遠(yuǎn)卻又親近。                                                                      　　然后，有一天，一次偶然的相遇，                                                                      　　將妍靜、米娜和鎮(zhèn)秀的秘密串聯(lián)了起來……                                                                      　　噓！當(dāng)你打開這扇秘密之門，                                                                      　　一個(gè)非常特別（？）的家庭故事就此展開！

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster