劇情縱覽
住在一起的露珠和秀燦和公公住在一起,因為有外遇的丈夫而傷心的媳婦,在公公的安慰下找到了新的溫柔港灣。
住在一起的露珠和秀燦和公公住在一起,因為有外遇的丈夫而傷心的媳婦,在公公的安慰下找到了新的溫柔港灣。
In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
預(yù)科學(xué)校巴頓學(xué)院的老師保羅(保羅·吉亞瑪提 飾)不太受歡迎,不管是學(xué)生、老師還是校長,都不太喜歡他,他們覺得他浮夸又僵化。在1970年的圣誕假期,保羅留在了學(xué)校監(jiān)督無法回家的學(xué)生。幾天后,只有一個學(xué)生留了下來——一個名叫安格斯的15歲搗蛋鬼,他是一個被不良行為破壞的好學(xué)生,總是在被開除的邊緣試探。與保羅和安格斯一起留下的還有學(xué)校廚師長瑪麗,一個為特權(quán)階層的兒子們提供服務(wù)的非裔美國婦女,她自己的兒子最近在越南失蹤了。這三個截然不同的失意者組成了一個奇怪的圣誕家庭,在新英格蘭大雪紛飛的兩個星期里,分享著不幸經(jīng)歷,并意識到他們中沒有人感謝自己的過去。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
當(dāng)他們假裝還愛著對方的時候,YouTube上的“丁”和“寶石”情侶?在正式分手前,這對夫婦為了最后一篇內(nèi)容而放棄了鉆石戒指的主要制造商。直到我遇到了一位著名的“完美”生活教練,他利用孩子作為謀生手段,并打算從妻子那里獲得監(jiān)護(hù)權(quán),他們?nèi)齻€別無選擇,只能互相幫助來完成這次營救任務(wù)。當(dāng)車開走的時候,突然,這個可怕的神秘人從黑暗中冒了出來,導(dǎo)致他的車出了事故,無法繼續(xù)前進(jìn),他自告奮勇地把這三個人帶到一個偏遠(yuǎn)的玉米地的廢棄房子里過夜。面對“Mahathirachai”,一個邪惡的鬼魂,包括房子里的居民,他們既看不見,也看不見。起初,他們認(rèn)為這所房子里的鬼故事都是由幻象引起的,但當(dāng)他們發(fā)現(xiàn)每個人都和一個來自前國家的鬼魂有關(guān)時,他們花了幾百年的時間想要從他們那里得到一些東西!