最后一班地鐵

　　年末的橫濱消防通信指令中心異常繁忙，事故、疾病、火災(zāi)與各種糾紛不斷。此時，是否引入“AI指令員”取代人工的議題引發(fā)內(nèi)部對立。除夕夜突發(fā)大規(guī)模停電，全市混亂、報警激增，指令員們在極限狀態(tài)中持續(xù)接警與指揮救援。作品描繪他們直面困難時堅持工作的理由，以及“拯救他人”這一行為的真正意義。城市陷入黑暗，他們必須用僅存的“聲音”守護生命。

　　盧迪（凱內(nèi)爾·穆德盧佐 Kornél Mundruczó 飾）從小就成長在孤兒院中，他剛一出生就被父母無情的拋棄了，從來都沒有感受過親情的滋味。17歲時，對父母的思念在盧迪的內(nèi)心里愈演愈烈，他決定動身去尋找他們的蹤跡。但很快，殘酷的現(xiàn)實就讓盧迪知道，他的存在對于他的親人們來說或許并非一件好事?！　∫淮闻既恢校R迪得到了一次試鏡的機會。導(dǎo)演被盧迪身上所散發(fā)出來的陰郁氣質(zhì)深深的吸引了，認為他就是扮演自己電影里角色的不二人選?？墒窃旎?，導(dǎo)演并不知道，眼前的這個年輕人，正是他早些年間拋棄的兒子。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

本片改編自寄田みゆき創(chuàng)作的同名漫畫。伊藤早奈是一個可愛的女高中生，生活充滿了快樂，但從未體驗過戀愛的感覺。因為車禍住院的早奈，在醫(yī)院里被一個非常漂亮的女生吸引了。于是，一段青澀甜蜜的戀愛開始了！