情感教育

9.3 播放：71萬 更新：2026-05-10

一個多愁善感的老女人和一個十幾歲的男朋友。他們彼此喜歡，所以她和他談?wù)撍约?，她的靈性，神秘主義和存在本身。他們變得形影不離，所以他嫉妒的母親面對著她。 　　

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一個多愁善感的老女人和一個十幾歲的男朋友。他們彼此喜歡，所以她和他談?wù)撍约?，她的靈性，神秘主義和存在本身。他們變得形影不離，所以他嫉妒的母親面對著她。 　　

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土屋太鳳,佐久間大介,金子統(tǒng)昭,真飛圣,后藤剛范,片山萌美,片岡禮子,杉本哲太,齊藤由貴

　　影片是一部圍繞約會匹配軟件展開的原創(chuàng)懸疑片，戀愛方面晚熟的婚禮策劃人輪花（土屋太鳳 飾）被同事推薦了配對APP，雖然和一位男士匹配成功，但是出現(xiàn)在約會中的他卻和照片完全不一樣。與此同時，發(fā)生了針對APP用戶的連環(huán)殺人事件，事件朝著意料之外的方向發(fā)展，魔爪也漸漸逼近了輪花...佐久間大介飾演與主人公·輪花相遇，糾纏不休的跟蹤狂·永山吐夢。

推理要在晚餐后 電影版

櫻井翔,北川景子,椎名桔平,中村雅俊,櫻庭奈奈美,要潤,鹿賀丈史,黑谷友香,甲本雅裕,大倉孝二,兒島一哉,村川繪梨,團(tuán)時朗,六角精兒,田中要次,伊東四朗,生瀨勝久,竹中直人,宮澤理惠

　　帶薪休假的寶生家族千金小姐麗子（北川景子 飾），好不容易和管家影山（櫻井翔 飾）乘直升飛機(jī)趕上了開往新加坡的公主麗子號豪華游輪。她在船上意外見到上司——警視廳國立署警部風(fēng)祭京一郎（椎名桔平 飾），原來風(fēng)祭奉市長之命護(hù)送純金打造的K獅前往獅城。豪華一流的配套服務(wù)，讓游客們樂享其中?？删驮谌挤艧熁鸬囊雇恚幻凶拥氖w落入海中，引起不小的恐慌。在此之后，風(fēng)祭、麗子、影山聯(lián)合起來展開調(diào)查，而犯罪分子也以全體船員的性命相要挾禁止與外界聯(lián)系?！　〗佣B三有人遇害，時間則一分一秒地流逝，影山他們能否解開兇險(xiǎn)的謎題？

飛砂風(fēng)中轉(zhuǎn)

鄭伊健,陳小春,方中信,余安安,葉璇,陳子聰,劉浩龍

　　和義盛坐館火水（方中信 飾）在篩選馬仔后備軍時，被一個開餐館的廚師火腩（陳小春 飾）所吸引，后者做的叫花雞味道鮮美，令他難忘。從此，他對火腩特別照顧，委以重任。找到了保護(hù)傘的火腩可以繼承祖業(yè)，跟妻子（葉璇 飾）夫唱婦隨經(jīng)營義盛小館，并盤算讓兒女進(jìn)入名校就讀。正在此時，金融危機(jī)來臨，方中信遇到困難，堂主之位不保，此時他希望能夠讓火腩做接班人，穩(wěn)定軍心。然而，和義盛開山祖師后人十三妹（余安安 飾）卻力薦剛出獄的兒子燕子文（鄭伊健 飾）出任堂主之位。于是，兩個本不想做堂主的后起之秀被架上了PK臺?；痣钪幌氚残慕?jīng)營自己的飯店，而燕子文則希望進(jìn)入大學(xué)進(jìn)修，無心戀戰(zhàn)的兩人將面臨一場怎樣的對決呢？

與世隔絕

Davina Reeves,Maria Abramova

Four friends wanted to get away from it all for a birthday celebration in a remote country house, but when a mysterious injured man turns up on their doorstep telling tales of a city ravaged by a mysterious epidemic and the looters who have pursued him, the friends rally to help. As the night progresses, it becomes clear that all is not as it seems, plunging the friends into a battle for survival that challenges their deepest fears.

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster