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米拉·喬沃維奇,馬修·莫迪恩,D·B·斯威尼,唐·哈維,邁克爾·斯塔爾-大衛(wèi),濱村洋子,特夏斯·巴特爾,伊莎貝爾·邁爾斯,布魯克林·蘇丹諾,麗迪雅·赫爾,澤維爾·埃斯特拉達,茲亞·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick Genta復(fù)仇：愛的故事
尼古拉斯·凱奇,安娜·哈徹森,特麗莎·貝特曼,黛博拉·卡拉·安格,唐·約翰遜,約書亞·米克爾,羅科·紐金特,喬·歐科特貝克,卡特·伯奇,夏琳·蒂爾頓,迪克蘭·圖萊尼,卡拉·弗勞爾斯,吉米·岡薩雷斯,科里·斯科特·艾倫,邁克·普涅夫斯基,凱蕾·里維拉,沙維爾·德克里,邁克爾·帕帕約翰行動倒數(shù)
凱爾西·周,芬·維特洛克,丹尼爾·弗朗西斯,迪倫·比姆,Skye Little Wing Dimov Saw怪物計劃
伊芳·齊瑪,賈斯汀·布恩寧,托比·海明威,Murielle Zuker,Jim Storm,Shayne Eastin,PeiPei Alena Yuan,Shiori Ideta送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內(nèi)爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內(nèi)爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫爾特·岳曼克
加里·奧德曼,阿曼達·塞弗里德,莉莉·柯林斯,查爾斯·丹斯,艾利斯·霍華德,湯姆·派福瑞,塔彭絲·米德爾頓,湯姆·伯克,杰米·麥克沙恩,萊文·蘭賓,托比·萊昂納德·摩爾,山姆·特勞頓,約瑟夫·克羅斯,艾維·約斯特,亞當(dāng)·沙皮羅,費迪南德·金斯利,保羅·福克斯,娜塔莉·丹尼斯·斯皮爾,里克·帕斯夸隆,保羅·卡拉夫特斯,克里斯蒂安·普倫蒂斯,約翰·李·艾姆斯,金斯頓·凡爾內(nèi)斯,克萊格·羅伯特·揚,賈可琳·貝瑟尼,卡米爾·蒙哥馬利,克雷格·韋茨巴赫爾,喬安妮·湯姆森,達娜·林恩·拜倫,斯圖瓦特·斯科爾頓,克里斯同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
驅(qū)逐
杰西卡·布朗·芬德利,西恩·哈里斯,約翰·林奇,杰森·索普,亞當(dāng)·赫吉爾,約翰·赫夫南,安雅·麥肯納-布魯斯,詹姆斯·斯旺頓,柯基·法爾考,西姆斯·奧尼爾,Danny Shayler,Amy Trigg,Nigel Travis,Jean St. Clair,Matthew Clarke改編自1930年代英國真實事件，一位牧師萊納斯（約翰·赫夫南 飾）被教會任命為代理牧師，他帶著妻子瑪麗安（杰西卡·布朗·芬德利 飾）與女兒小愛搬進一座神秘莊園。 但在他們?nèi)胱∵@間屋子不久后，奇怪事情接二連三發(fā)生，除了在半夜會聽見呢喃聲，還會看見陌生的修道士身影，女兒小愛的行為也越來越陌生，隨著被騷擾的次數(shù)越來越多，萊納斯和瑪麗安不得不尋求著名的捉鬼專家哈利（西恩·哈里斯 飾）幫忙?！ ∷麄儽仨氁黄鸾议_真相，找出這棟房子的超自然力量還有它可怕且驚人的過去……
謀殺穆巴拉克
潘卡·特里帕蒂,迪寶·卡帕蒂婭,維杰·維瑪,卡瑞詩瑪·卡普爾,薩拉·阿里·汗,蒂絲卡·喬普拉,庫納爾·赫姆,桑杰·卡普爾,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam一名健身教練在德里一家高檔俱樂部慘遭殺害。為了找出兇手，一位老辣的調(diào)查員揭開了俱樂部富豪會員的骯臟秘密。
空心大少爺
陳勛奇,葉倩文,午馬大光燈是富家闊少爺，由法國返回香港，繼承遺產(chǎn)，怎料繼父已將全部遺產(chǎn)贈送慈善機構(gòu)，遺下給他的只是四字真言：自力更生。一夜之間，闊少爺落難無家可歸，暫寄居前管家炎叔家中，與此同時，大光燈開始尋回已各奔前程的昔日四個樂隊——人行支票樂隊的隊友，是非精、檸檬頭、貓糞。貓糞是頗負名氣的舞男，是非精貪圖金錢，好逸惡勞，甘愿繼續(xù)其舞男生涯，而檸檬頭經(jīng)不斷碰壁，放棄對表妹的盲目追求，與小鳳同赴外國深造，生意則轉(zhuǎn)讓給大光經(jīng)營……
一一
吳念真,李凱莉,金燕玲,張洋洋,蕭淑慎,尾形一成,陳希圣,林孟瑾,陳以文,柯宇綸,張育邦,柯素云,唐如韞,徐淑媛,曾心怡,陶傳正NJ（吳念真）是個很有原則的生意人，同妻子敏敏（金燕玲）、女兒婷婷（李凱莉）、兒子洋洋（張楊洋）以及外婆住在臺北某所普通公寓里。小舅子的一場麻煩婚禮過后，因為外婆突然中風(fēng)昏迷，他迎來更加混亂的日子。敏敏公司、家里兩頭跑，時常感覺自己要被耗空；婷婷一直為外婆的中風(fēng)內(nèi)疚，戀愛談到中途發(fā)現(xiàn)自己不過是替代品；NJ更是麻煩重重，公司面臨破產(chǎn)，他又不愿放下別人眼里一文不值的自尊。一家人里，似乎只有洋洋沒有煩惱，他平靜地用照相機拍著各種人的背面，幫他們長出另一雙眼睛，然而，洋洋簡簡單單的一句話，道出更深的悲涼。