聊齋嬰寧 聊齋嬰寧 (1996)

8.5 播放:75萬(wàn) 更新:2026-05-07

王子服偶遇嬰寧后茶飯不思,并到嬰寧家題親,但他得悉她是狐貍所生,他雖有所畏懼,但始終難忘其美貌,堅(jiān)決娶其為妻。嬰寧母親臨死前托付鬼媽把嬰寧養(yǎng)大......。最后鬼媽利用法術(shù),套出孫子楚父親嫁禍嬰寧偷官銀陰謀,平反其父母冤情,嬰寧替父母遷墳合葬,鬼媽對(duì)養(yǎng)女?huà)雽幦缤H兒,嬰寧順利嫁入王爺門(mén)府,吳生也與表小姐玉燕成婚,雙喜臨門(mén),有情人皆成眷屬。

播放通道

詳細(xì)簡(jiǎn)介

王子服偶遇嬰寧后茶飯不思,并到嬰寧家題親,但他得悉她是狐貍所生,他雖有所畏懼,但始終難忘其美貌,堅(jiān)決娶其為妻。嬰寧母親臨死前托付鬼媽把嬰寧養(yǎng)大......。最后鬼媽利用法術(shù),套出孫子楚父親嫁禍嬰寧偷官銀陰謀,平反其父母冤情,嬰寧替父母遷墳合葬,鬼媽對(duì)養(yǎng)女?huà)雽幦缤H兒,嬰寧順利嫁入王爺門(mén)府,吳生也與表小姐玉燕成婚,雙喜臨門(mén),有情人皆成眷屬。

同類推薦

他們之后的孩子

保羅·基爾舍,安吉麗娜·沃雷斯,賽義德·艾爾·阿拉米,阿娜伊斯·德穆斯蒂埃,露易絲·萊赫里,吉爾·勒盧什,路易·梅米,露德溫·塞尼耶,Denis Simonetta,Anouk Villemin

一個(gè)關(guān)于愛(ài)、青春與友誼的美麗成長(zhǎng)故事。1992年8月,在一個(gè)被遺忘的山谷中,安東尼愛(ài)上了斯蒂芬妮。當(dāng)晚為了再次見(jiàn)到她,他偷借父親的摩托車去派對(duì),翌日卻發(fā)現(xiàn)摩托丟失,他的生活也就此產(chǎn)生巨變。

筆仙大戰(zhàn)貞子2

奚美麗,云翔,朱婭,王宇凝,林奕婧

  《筆仙大戰(zhàn)貞子2》講述了美術(shù)學(xué)院學(xué)生夏柚(奚美麗飾),在與“姐妹團(tuán)”佩潔(朱婭飾)、小依(王宇凝飾)、雯雯(林奕婧飾)聚會(huì)時(shí)候玩起了通靈游戲,陰差陽(yáng)錯(cuò)之下招致了貞子的出現(xiàn),伴隨而來(lái)的還有噩夢(mèng)和殺戮。被逼無(wú)奈之下,姐妹團(tuán)決定召喚筆仙,一場(chǎng)中日鬼王之間的惡戰(zhàn)再次掀起。

華氏247

絲柯·泰勒-考普頓,克里斯蒂娜·烏洛亞,特拉維斯·范·文克,邁克爾·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亞尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II

  晴朗的一天,三年前痛失男友的珍娜(絲柯·泰勒-考普頓 Scout Taylor-Compton 飾)與好友瑞妮(克里斯蒂娜·尤羅爾 Christina Ulloa 飾)、邁克(邁克爾·科彭 Michael Copon 飾)以及新結(jié)識(shí)的帥氣青年伊安(特拉維斯·范·文克 Travis Van Winkle 飾)前往某個(gè)鄉(xiāng)村,參加當(dāng)?shù)嘏e行的五月節(jié)。湖畔小屋,笑語(yǔ)歡歌,青年男女們縱情歡樂(lè),只有珍娜強(qiáng)顏歡笑,似乎久久無(wú)法從三年前的慘劇中走出。隨著夜幕降臨,四人走入桑拿室,體會(huì)無(wú)上的蒸汽享受,而危機(jī)也正一步步向他們迫近。在此期間,邁克和瑞妮突然爆發(fā)爭(zhēng)吵,前者奪門(mén)而出,大發(fā)雷霆,而瑞妮和珍娜、伊安稍后卻發(fā)現(xiàn),他們?nèi)藚s被意外鎖在桑拿室中?! 囟戎饾u升高,而死神的腳步越來(lái)越近……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

萬(wàn)圣節(jié)傳說(shuō)

波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當(dāng)·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達(dá)納·古爾德

  1)名叫蒂米的男童怨靈會(huì)在萬(wàn)圣節(jié)當(dāng)晚四處尋找糖果,甚至?xí)榇送陂_(kāi)他人的肚子;2)小男孩被逼迫去一戶人家惡作劇,結(jié)果被長(zhǎng)著角的男主人抓住,兩人一起上街惡搞乃至戕害狂歡的人群;3)某戶人家正坐在客廳看電影,這時(shí)有個(gè)打扮成巫婆的女孩敲門(mén),卻用刀捅了男主人,恐怖的萬(wàn)圣節(jié)變成災(zāi)難,當(dāng)然他們正為自己的所作所為付出代價(jià);4)二男一女不良少年團(tuán)伙在萬(wàn)圣節(jié)之夜四處欺負(fù)他人,這時(shí)打扮成魔鬼的少年出面阻止他們,反而被三人抓住。5)老婦人和親朋們講述了瑪麗?貝利的傳說(shuō),那是一個(gè)不愿意被人看到的女人的怨靈,如果被她看到可就慘了;6)無(wú)法承受喪女之痛的女人在萬(wàn)圣節(jié)之夜變成了心理失衡的惡魔;7)中年人的對(duì)面,搬來(lái)幾個(gè)重口味的金屬青年,夜幕降臨,他和重金屬們發(fā)生了沖突;8)密林深處,失魂落魄的少女被無(wú)情的殺人狂追逐,突然怪事發(fā)生;9)兩個(gè)劫匪企圖在萬(wàn)圣節(jié)綁架某富豪的孩子,怎奈請(qǐng)神容易送神難;10)男人好不容易雕了一個(gè)南瓜頭,結(jié)果南瓜頭突然活了過(guò)來(lái),大鬧街頭。