欲望故事

評(píng)分:5.2 播放:13萬 更新:2026-05-11
主演: 未知/

艾旦影視

影片推薦

同類精選

影視排行

十月建造的房屋

Brandy Schaefer,Bobby Roe,Zack Andrews

  Beneath the fake blood and cheap masks of countless haunted house attractions across the country, there are whispers of truly terrifying alternatives. Looking to find an authentic, blood-curdling good fright for Halloween, five friends set off on a road trip in an RV to track down these underground Haunts. Just when their search seems to reach a dead end, strange and disturbing things start happening and it becomes clear that the Haunt has come to them...

寫在大地上的詩

蘭嵐,查嶺

該片是國家廣播電視總局2024年度電視劇引導(dǎo)扶持專項(xiàng)資金和“深入生活、扎根人民”傾斜項(xiàng)目,通過詩人田地發(fā)現(xiàn)田間、走進(jìn)歷史、重寫戎冠秀的故事,用詩歌去表達(dá)還原當(dāng)時(shí)戎冠秀支援前線的歷史,通過網(wǎng)絡(luò)讓觀眾熟知悉那段擁軍,愛軍的模范事跡。

紅色之州

邁克爾·帕克斯,梅麗莎·里奧,約翰·古德曼,邁克爾·安格拉諾,凱爾·加爾納

  在一個(gè)平凡的美國小鎮(zhèn),同性戀男孩被人殺害,他的死卻引起了廣泛爭議。自稱代表上帝的牧師艾賓·庫伯(麥克·帕克斯 Michael Parks 飾)帶領(lǐng)信眾游行示威,控訴著世間各種丑態(tài)與罪行。另一邊,高中生特拉維斯(Michael Angarano 飾)、賈羅德(Kyle Gallner 飾)、比利-雷(Nicholas Braun 飾)卻相約夜晚出行,尋找屬于青春時(shí)代的放浪與刺激。誰知渴望狩獵的少年,反倒成了他人的獵物。他們落入庫伯及其信眾的陷阱,隨時(shí)都會(huì)失去生命?! ×硪环矫?,美國槍支管理局的特工約瑟夫·吉南(約翰·古德曼 John Goodman 飾)逐漸掌握庫伯囤積槍支的證據(jù),一場無關(guān)正義與道德缺失的攻防戰(zhàn)即將展開……

公寓2024

斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.