黑幫大佬和我的365日
馬西莫(邁克爾·莫羅內(nèi)MicheleMorrone飾)出生于一個(gè)非常繁盛的西西里黑手黨家族之中,從下肩上就背負(fù)了繼承家業(yè)的重任。身為族長(zhǎng)的父親遭人暗殺,盡管馬西莫對(duì)與黑道這點(diǎn)事情毫無(wú)興趣,但作為家族唯一的繼承人,他只能接替父親的位置,成為了首領(lǐng)。 勞拉(安娜·瑪麗亞·西克拉克AnnaMariaSieklucka飾)是一家非常豪華的大酒店的總監(jiān),雖然她年紀(jì)輕輕就已經(jīng)攀登上了事業(yè)的頂峰,但內(nèi)心的極度空虛和感情世界的一片空白常常令她感到備受折磨。為了排遣心中的苦悶,勞拉叫上好友一起踏上了前往西西里群島的度假之旅,哪知道竟然在那里遭到了馬西莫的綁架,更讓勞拉沒(méi)有想到的是,自己竟然會(huì)愛(ài)上這位窮兇極惡的綁匪國(guó)外三級(jí)
劇情簡(jiǎn)介
馬西莫(邁克爾·莫羅內(nèi)MicheleMorrone飾)出生于一個(gè)非常繁盛的西西里黑手黨家族之中,從下肩上就背負(fù)了繼承家業(yè)的重任。身為族長(zhǎng)的父親遭人暗殺,盡管馬西莫對(duì)與黑道這點(diǎn)事情毫無(wú)興趣,但作為家族唯一的繼承人,他只能接替父親的位置,成為了首領(lǐng)。 勞拉(安娜·瑪麗亞·西克拉克AnnaMariaSieklucka飾)是一家非常豪華的大酒店的總監(jiān),雖然她年紀(jì)輕輕就已經(jīng)攀登上了事業(yè)的頂峰,但內(nèi)心的極度空虛和感情世界的一片空白常常令她感到備受折磨。為了排遣心中的苦悶,勞拉叫上好友一起踏上了前往西西里群島的度假之旅,哪知道竟然在那里遭到了馬西莫的綁架,更讓勞拉沒(méi)有想到的是,自己竟然會(huì)愛(ài)上這位窮兇極惡的綁匪國(guó)外三級(jí)
為你推薦
情感價(jià)值
雷娜特·賴因斯夫,斯特蘭·斯卡斯加德,英加·伊布斯多特·莉莉亞斯,艾麗·范寧,安德斯·丹尼爾森·李,加斯帕·克里斯滕森,萊娜·恩卓,科里·邁克爾·史密斯,凱瑟琳·科恩,Andreas Stoltenberg Granerud,?yvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde S?yland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol姐妹Nora和Agnes與疏遠(yuǎn)的父親——魅力非凡的導(dǎo)演Gustav重聚。這位昔日名導(dǎo)試圖讓舞臺(tái)劇演員Nora參演自己寄予厚望的復(fù)出之作,卻遭女兒拒絕。Nora很快發(fā)現(xiàn),父親已將她的角色轉(zhuǎn)給了一位野心勃勃的好萊塢新星。突如其來(lái)的變故迫使兩姐妹直面與父親的復(fù)雜糾葛,而這位美國(guó)明星的加入,更讓本就微妙的家庭關(guān)系陷入新的波瀾。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼租客
納查潘·帕拉瑪查倫羅,Aew Aumpa Phusit,波似·坡尼皮帕特·庫(kù)尼嗦,坦恩.基緹男.坎蒙功空理法密昕,馬克·納克塔赫·坎那特桑安,Boom Raweephan Siriwattana一個(gè)破產(chǎn)的平面設(shè)計(jì)師最終租了一個(gè)有著恐怖故事和神秘鄰居的房間。
太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬(wàn)·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飛往黑洞的宇宙飛船上,一群被判死刑的罪犯被賦予太空英雄般的使命,去為地球?qū)ふ姨娲茉?。囚犯之間的性活動(dòng)被嚴(yán)格禁止,只能通過(guò)飛船上的"盒子"裝置來(lái)緩解生理沖動(dòng)。其中,Dibs博士(朱麗葉·比諾什 飾)將每個(gè)囚犯當(dāng)作實(shí)驗(yàn)動(dòng)物對(duì)待,并瘋狂致力于通過(guò)人工授精來(lái)制造嬰兒,然而這些實(shí)驗(yàn)卻一直沒(méi)有成功,直到她偷偷取得奉行禁欲生活的Monte(羅伯特·帕丁森 飾)的精液...
與神對(duì)談
大衛(wèi)·斯特雷澤恩,布倫頓·思韋茨,耶爾·格洛格拉斯,Charlbi Dean Kriek,希爾·哈勃,博比·迪奇科,Meagan Kimberly Smith雖然是三次面談之旅,但我覺(jué)得三次否認(rèn)叫Peter更合適;08,20-08,22FathomEvents,電影大概只有90分鐘,后附30分鐘interview分享一些信仰心得,恍然間有點(diǎn)以為看到了TheSunsetLimited(2011)的感覺(jué),電影不合情理得把神實(shí)化(降臨),但又很合乎情理的在分享Paul的見(jiàn)證,所以最后interview有個(gè)問(wèn)題是為何上帝沒(méi)有啟示我,這個(gè)問(wèn)題答案就是:先求他的國(guó)和他的義,然后你才能見(jiàn)證他的神跡。
變異雙頭蛇
陳堃,莫佳荻,韓陽(yáng),武雨晴,王黎林宇與三名女孩遭遇空難,不幸流落至一座荒無(wú)人煙的孤島,剛上岸便遭遇一頭兇猛的變異雙頭蛇襲擊。危急時(shí)刻,容貌靚麗、身手矯健的當(dāng)?shù)嘏林炑偶皶r(shí)出現(xiàn),憑借對(duì)島嶼環(huán)境的熟悉,成功引開(kāi)雙頭蛇,將四人救至一處隱蔽山洞。在艱難的孤島求生中,林宇作為唯一的男性主動(dòng)守護(hù)眾人,朝夕相處間,他與四名女孩漸生情愫,陷入了兩難的感情糾葛。好景不長(zhǎng),思瑤慘遭雙頭蛇伏擊吞噬,若琳也不幸遇害。悲痛之下,林宇、婉晴與頌雅聯(lián)手,借助頌雅祖輩流傳的經(jīng)驗(yàn),摸清毒蛇怕強(qiáng)光和特定植物汁液的弱點(diǎn),巧用簡(jiǎn)易工具設(shè)下陷阱,最終成功消滅雙頭蛇,林宇也找到情感的歸宿。
我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛(wèi)·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny艾娃(黛西·雷德利 飾)是一名絕望的婦女,她的丈夫在一次災(zāi)難性軍事實(shí)驗(yàn)后失蹤,她加入了一個(gè)“尸體搜尋小組”,但當(dāng)她埋葬的尸體開(kāi)始出現(xiàn)生命跡象時(shí),她的搜尋工作發(fā)生了令人毛骨悚然的轉(zhuǎn)變。