關(guān)于我們的愛情
15歲的蘇珊為了補(bǔ)償兒時(shí)缺少的關(guān)愛，不斷更換身邊的男伴。她的行為得不到親人的理解，而負(fù)氣離家出走后，母親和哥哥更對(duì)她惡言以對(duì)……
劇情簡(jiǎn)介
15歲的蘇珊為了補(bǔ)償兒時(shí)缺少的關(guān)愛，不斷更換身邊的男伴。她的行為得不到親人的理解，而負(fù)氣離家出走后，母親和哥哥更對(duì)她惡言以對(duì)……
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忍者刺客49
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密探2025
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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