浴中的禁忌性愛

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

蓬萊大戰(zhàn)三百年后，百里屠蘇終被風(fēng)晴雪復(fù)活，歐陽少恭也被巽芳救出。蚩尤控制少恭危害百姓，眾人合力對(duì)抗卻不敵。屠蘇得到女媧指點(diǎn)，將劍魄給予少恭，合體擊敗蚩尤，以死換得天下太平。

 一對(duì)年幼的兄弟跟家人一起從大城市搬到偏遠(yuǎn)小鎮(zhèn)，卻發(fā)現(xiàn)新家并不單純。他們能否與新朋友們一起解開家中的險(xiǎn)惡謎團(tuán)？

　　創(chuàng)意鬼才亨利·塞利克和制片人喬丹·皮爾這次帶來動(dòng)畫《惡魔兄弟》，講述了狡猾的惡魔兄弟溫德爾（科甘-邁克爾·凱配音）和瓦爾德（皮爾配音）向凱特·艾略特（一名被負(fù)罪感支配的堅(jiān)強(qiáng)少女）求助，希望她能將他們召喚至人間。但與之相對(duì)的，凱特也提出要求，進(jìn)而引發(fā)了一場奇異無比、笑料百出的獨(dú)特冒險(xiǎn)。影片全篇采用定格動(dòng)畫的手工藝術(shù)進(jìn)行制作，是一部無視生死法則的動(dòng)畫狂想曲。