劇情簡介
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鐵血戰(zhàn)士：獵物
安伯·明迪桑德,達(dá)寇塔·比弗,戴恩·迪利格羅,斯托米·基普,米歇爾·史拉斯,朱利安·布萊克·安蒂洛普,斯蒂芬·馬蒂亞斯,Bennett Taylor,Mike Paterson,Nelson Leis,Tymon Carter,斯凱·佩列蒂耶,Harlan Blayne Kytwayhat,Corvin Mack,塞繆爾·馬蒂本片以300年前的科曼奇族為背景，講述了一個(gè)名叫納魯?shù)哪贻p女子的故事，她是一位兇猛且技藝高超的戰(zhàn)士。她在大平原上一些傳奇的獵人陰影下長大，所以當(dāng)危險(xiǎn)威脅到她的營地時(shí)，她要保護(hù)她的族人。當(dāng)她發(fā)現(xiàn)自己面對的獵物是一個(gè)高度進(jìn)化的外星掠食者，且擁有先進(jìn)的技術(shù)武器，一場惡戰(zhàn)開始了！
情棺
劉尚麟摸金校尉白術(shù)為拯救被逼與丞相之子秦庭至配陰婚的意中人蘇青，決定進(jìn)行招魂儀式，卻未曾想三人徹底陷入陰婚詛咒，身困三生三世的虐戀糾纏……
葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia EllisA grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.
鳴槍警告
David Spade,詹姆斯·厄爾·瓊斯,弗蘭克·威利一位單身母親和她的小女兒努力維持生計(jì)，直到他們從祖父那里繼承了農(nóng)舍。 當(dāng)一個(gè)家族企業(yè)的競爭對手派武裝人員用武力將水權(quán)帶到農(nóng)場的小溪時(shí)，情況開始失控。
狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德本片是美國50年代一部優(yōu)秀的科幻片。導(dǎo)演Jack Arnold運(yùn)用特效，讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸，它四處破壞，但始終免不了滅亡的命運(yùn)?！ 〗?jīng)典科幻片，強(qiáng)烈推薦！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
生息之地
汪尚,張楚文,張彥榮因父母工作原因，十歲的徐闖一直寄居在鄉(xiāng)下姥姥家，他和堂舅李飽的兒子賴蛋是一對好朋友。1991年，徐闖經(jīng)歷了家族中的生老病死、婚喪嫁娶，在歲月靜流之中感受著親人之間隱忍又濃烈的情感。那一年的鄉(xiāng)村也在悄然改變……