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浴火巾幗3
拉妮·瑪克赫吉,詹琪·博迪瓦拉,Mallika Prasad,Jimpa Sangpo Bhutia,Prajesh Kashyap,Eindraneel Bhattacharya北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達(dá)什·米霍克審判游戲
阿米達(dá)普·巴強,埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂森英恵蝴蝶之外
八木莉可子,中島裕翔瘋癲和尚之再續(xù)前緣
雪村,鐘夫翔,石洋子死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana Camarena同類精選
副總統(tǒng)
克里斯蒂安·貝爾,艾米·亞當(dāng)斯,史蒂夫·卡瑞爾,山姆·洛克威爾,娜奧米·沃茨,艾麗森·皮爾,埃迪·馬森,賈斯汀·柯克,麗莎蓋伊·漢密爾頓,杰西·普萊蒙,比爾·坎普,唐·麥克馬納斯,莉莉·拉貝,謝伊·惠格姆,斯蒂芬·阿德利·葛爾蓋,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,馬修·雅各布斯標(biāo)錯參
洪金寶,鐘鎮(zhèn)濤,王祖賢,梁珊,曹查理,陳友春娥
李心敏,李迎旗,許劍,陳燕伊洛桑的家事
金巴,扎西,加華草,更旦,居瓊欽這么遠(yuǎn)那么近
樸浩山,宋再臨,高恩敏荒村怪談
李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪影視排行
金箍上的裂痕
【內(nèi)容由AI生成】畫手林默在AI霸權(quán)時代陷入創(chuàng)作焦慮 。西游世界中,真大圣憑借金箍裂痕覺醒 ,單槍匹馬擊碎黑六耳幻化的巨型機械妖猴 。隨著妖猴崩解,被囚禁的數(shù)據(jù)化作千萬個神采各異的大圣眾生相?,F(xiàn)實中,林默拒絕AI優(yōu)化并關(guān)上電腦,回歸初心。他在爺爺墓前及街頭孩童揮舞廉價金箍棒的歡笑中領(lǐng)悟到,AI雖能模擬形態(tài),卻無法替代人在不完美中堅守本心的“選擇”。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
孤獨的美食家 2025除夕特別篇
松重豐這是系列節(jié)目迎來第9年!2025年的跨年夜直播,將時隔5年再次恢復(fù)部分現(xiàn)場直播! 倒計時迫近,今年五郎依舊面臨“黃燈警報”!在跨年活動中要分發(fā)的某種食材,今年又落在五郎頭上(嚴(yán)格來說是被強行要求)。他將帶著自己那位小小的伙伴,奔走整個東日本。年末已經(jīng)成為傳統(tǒng)的這場奇妙旅程,今年又會在怎樣的土地上,遇見怎樣至高無上的美食呢?而五郎能否趕上2025年壓軸的大型活動?請拭目以待!
午夜場
范夢,馮言彥,鄧先宇,歷家兵,李子雄《午夜場》講述了戲院經(jīng)理林梅(范夢飾演)與戲院大小姐子君(馮言彥飾演)是無話不談的閨蜜,在子君即將結(jié)婚前,無意間發(fā)現(xiàn)林梅好似和自己的未婚夫家俊(鄧先宇飾演)有著某種不為人知的關(guān)系。某一天,在他們工作的三十七號古宅內(nèi),一場備受關(guān)注的木偶劇目正在上演,而神秘的木偶附身也即將開始。隨著現(xiàn)實詭異畫面與林梅的夢境交織,令人意想不到的真相浮出水面!